final cut pro

Final Cut 2 After Effects 制作流程

Posted on by in Adobe, final cut pro, 工作流程（workflow）, 影视技艺文章 | Final Cut 2 After Effects 制作流程已关闭评论

以下是该软件的试用流程介绍：

The Popcorn Island Final Cut 2 After Effects Script is a simple way to move sequences in Final Cut into Compositions in After Effects. Not only does it allow you to work faster, it also saves storage space. The normal work flow of rendering out from Final Cut and opening in After Effects causes one to create temporary files to pass back and forth between the programs. The Final Cut 2 After Effects script will allow you to bypass that and simply use the footage that has already been imported into Final Cut.

NEWS: Gerard over at strypesinpost.com has put up a tutorial on using this script to move over project to windows! check it out

Links:

Features 1.1.2

  • Auto-Truncate Long Filenames
  • Marker Import
  • Cross Dissolve Transitions (v1.05)
  • Basic Editing Translation
  • Segmented Clips
  • Basic Keyframes
  • Time Remapping
  • Nested Sequences
  • Multiple Frame Rates and Aspect Ratios
  • Audio Channels
  • Name Length Error Checking
  • Support for PAL25 and 60

 

使用Final Cut Pro处理和编辑3D文件

Posted on by in final cut pro, 功能分析, 影视技艺文章 | 使用Final Cut Pro处理和编辑3D文件已关闭评论

ONSIGHT开发的OS 3D Plugin for final cut pro,方便去处理OS 3D文件，这个插件是免费使用的。现在支持fcp7

http://www.onsight.co.uk/OS3D

使用手册地址：

http://downloads.onsight.co.uk/OS_3D_User_Manual.pdf

Final Cut Pro X xml to nuke的工作流程

Posted on by in final cut pro, final cut pro x, 功能分析, 工作流程（workflow）, 影视技艺文章 | Final Cut Pro X xml to nuke的工作流程已关闭评论

这是国外NUKEMEDIA网站，作者Thomas Szabo编写的一个脚本，用于fcpxml直接到nuke的工作流程，我们以前fcp7的用户，总知道，在发送功能里有一个”发送到shake”的功能？

相关介绍和插件下载地址：

http://www.nukepedia.com/gizmos/miscellaneous-tool/fcp-x-xml-to-nuke/

Features

  • No files are copied. The Read Nodes point to the same files as in FCP X.
  • All in-/out-frames, sequence frame positions, clip durations stay intact
  • Handle frames can be added to extend the frame range.
  • Only video-files. No audio.
  • Different FPS and dimensions were recognized.
  • Cropping, Animations, Translations, Color Corrections, Effects and every other Final Cut related modification on a clip will be discarded!
  • The generated Nuke-files are named after their FCP X name with a following “_v01”
  • and more… see update notes below

 

使用Project X₂7进行final cut pro x to final cut pro 7工作流程修改

Posted on by in final cut pro, final cut pro x, 功能分析, 工作流程（workflow）, 影视技艺文章 | 使用Project X₂7进行final cut pro x to final cut pro 7工作流程修改已关闭评论

使用project xto7这个工作，现在支持一下软件:

  • Color
  • Final Cut Server
  • Premiere Pro and then dynamic link to
  • After Effects
  • Soundbooth
  • Encore (for real Blu-ray authoring)
  • FInal Cut Pro 7 and then to
  • Soundtrack Pro
  • Motion 4
  • OMF output for ProTools, etc.
  • EDL export
  • Print to tape and Edit to tape
  • other Final Cut Pro 7 XML workflow tools (such as Sequence Clip Reporter for stock footage and music cue sheet reports).

已经支持相关final cut pro x以下功能:

  • Titles at the start and end;
  • a mixture of primary storyline and connected clips;
  • a mix of active and inactive clips;
  • large numbers of J and L cuts;
  • to-do markers and regular markers;
  • spot audio effects; and
  • cross-dissolve transitions.

All transfer without problem. Unfinished to-do markers appear as red markers, completed to-do markers as Green markers, and the blue Final Cut Pro X markers as blue markers in Final Cut Pro 7.

Requirements:

Final Cut Pro version 10.0.1 or later
OS X 10.7 “Lion” or 10.6 “Snow Leopard”

下载地址和相关介绍：

http://assistedediting.intelligentassistance.com/ProjectXto7/

quicktime 7高质量显示redone素材和quicktime x区别

Posted on by in final cut pro, redcine x, REDONE, 影视技艺文章 | quicktime 7高质量显示redone素材和quicktime x区别已关闭评论

如图所示，在quicktime 7以前播放redone的代理文件时，要显示高质量的图像，必须如图所示，进行勾选。

quicktime high quality

而在最新的quicktime x直接进行显示最清晰的画面质量。

RED素材后期指导

Posted on by in final cut pro, redcine x, REDONE, 影视技艺文章 | RED素材后期指导已关闭评论

1.100 min film(拍摄比率50：1)＝5000分钟.r3d

2.red拍摄的最大速率是36MB/s,最小是28MB/s

3.2160MB/Min 或者 2G/Min

4.每部电影样片大约2G x 5000=10Tb

5.red的写入时间是3 x (120MB/s磁带写入的时间)

6.大约25小时存档样片，1个硬盘

Final Cut Pro X, Motion 5, Compressor 4最合理的安装方案

Posted on by in final cut pro, final cut pro x, final cut studio, Motion 5, 影视技艺文章 | Final Cut Pro X, Motion 5, Compressor 4最合理的安装方案已关闭评论

苹果技术支持文章

http://support.apple.com/kb/HT4722

Doremi公司2D,3D,4K针对final cut pro的解决方案

Posted on by in final cut pro, 影视技艺文章 | Doremi公司2D,3D,4K针对final cut pro的解决方案已关闭评论

如果想要了解Doremi产品的信息可以登录：http://www.doremilabs.com/products/cinema-products/ 进行了解！

Baselight plugin for final cut pro 7工作流程[视频]

Posted on by in baselight, color, color correction, color grading, final cut pro, final cut studio, Tutorials, 功能分析, 工作流程（workflow）, 影视技艺文章 | Baselight plugin for final cut pro 7工作流程[视频]已关闭评论

baselight plugin for fcp7
Baselight plugin for final cut pro 7只能使用在fcp7上使用，这个插件可以和baselight调色软件进行很好的协作，只需要fcp7导出的xml语言和工程文件。就可以实现很方便的来回交互。
视频演示：

第一个数字3-D渲染影片 大约1972

Posted on by in final cut pro, 影视技艺文章 | 第一个数字3-D渲染影片 大约1972已关闭评论

This short film of a 3-D rendered hand made by Ed Cattmull (Pixar founder) and Fred Parke in 1972 might be the first digital 3-D rendered film ever.

RED 发布 REDCINE-X PRO

Posted on by in color correction, color grading, final cut pro, redcine x, REDONE, 制作常识, 功能分析, 影视技艺文章 | 1 Comment

REDCINE-X PRO的发布，同时Foundtry Strom停止更新，直到2012年10月。但仍可以进行购买。

And here are the new features in the PRO version:

  • New Professional RCX with collapsible single window unified user interface
  • Post effects Film Look, Unsharp Mask, etc (some features will be enabled soon)
  • Stills workflow support – Grade and export virtual stills associated with your clips.
  • Markers – Mark specific frames for easy retrieval and selective stills exporting.
  • Dynamic Look control panel allowing you to customize your workspace.
  • Greatly enhanced playback engine with full 3D framing support
  • Metadata viewer pane (per frame metadata coming soon)
  • HDRx + Stereo 3D Viewing at the same time.
  • Full screen playback on second screen
  • Full Screen Mode ( control – shift – F )
  • Automatically downloaded updates
  • Customizable control UI panes
  • Double-wide control UI pane
  • New post effects module
  • Hierarchical bin folders
  • Multi track Timelines
  • New scaling engine
  • Quick Help (H key)
  • Stills rating system
  • Export Rotation

国内首次Promise Pegasus R6&R4 Thunderbolt (雷电)端口后期制作应用测试(图)

Posted on by in final cut pro, final cut pro x, Thunderbolt, 功能分析, 工作流程（workflow）, 影视技艺文章, 苹果系统 | 1 Comment

2011年8月3日，国内首次对苹果的Thunderbolt(雷电)新型端口进行测试,最下面是文字介绍和测试报告！

整个的工作理念，就是希望在笔记本上，我们就能进行数字电影或者是高码流的影片粗剪。 我只需要一个带有Thunderbolt端口的笔记本， 阵列Promise Pegasus R6&R4 Thunderbolt.就可以完成整个影片的粗剪！

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测试平台：Snow leopard 10.6.8系统,  Mac OSX Lion系统 ，剪辑软件final cut pro 7.0.3,   final cut pro x,  Pegasus R6&R4，AJA system Test, Matrox MXO2

设备：MacBook Pro 4G Memory, 2 Cores

视频素材：编码ProRes 4444 2K,  编码ProRes 422HQ,

编码uncompress 8bit HD 1920×1080,

编码AJA 10bit RGB and 10bit Log RGB 2K，25fps

素材的读写速度一般达到400m-650m左右！

在剪辑软件final cut pro对以上的视频编码进行了测试。

在Snow Leopard系统，final cut pro 7.0.3下：

对于prores 422hq,可以做到三层的实时播放，但2层，和第3层的缩放数值相加不能超过99。

对于uncompress 8bit HD的画面，可以在安全实时编辑情况，进行2轨道实时播放和编辑

对于aja 10bit RGB 2K的画面，显示项属性， 每帧的画面在8MB左右，数据速率是200MB/s.在一轨的情况下，可以做到实时播放和剪辑， 但2轨以上，就需要开启无限实时了。

在在Snow Leopard系统，final cut pro x下：

对于aja 10bit RGB 2K的画面，和在final cut pro 7下测试的相同，只不过就是final cut pro x下自动渲染的速度很快。但未渲染之前，2层的画面播放，不能实时的播放，会有停顿。

在Lion系统，final cut pro 7.0.3，final cut pro x下，进行的相关测试，发现没有什么不同差异！

Final Cut Pro X to Davinci Resolve 8教程

Posted on by in color, color correction, color grading, Davinci Resolve, final cut pro, Tagent Wave, Tutorials, 功能分析, 工作流程（workflow）, 影视技艺文章 | 6 Comments 
Final Cut Pro X to Davinci Resolve 8 color correction and grading教程

视频教程：

FINAL CUT PRO中文件的命名编排

Posted on by in final cut pro, final cut pro x, 制作常识, 影视技艺文章 | FINAL CUT PRO中文件的命名编排已关闭评论 
给文件夹的命名：工程编号-日期-摄像机-卡。

final cut pro x和REDONE的工作流程

Posted on by in color correction, color grading, final cut pro, final cut pro x, REDONE, 制作常识, 功能分析, 工作流程（workflow）, 影视技艺文章 | 1 Comment 
１.直接剪辑代理文件
２.使用REDCINE-X进行编码转换

视频预览介绍：

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