Motion 5更新内容:
1.更近文本锐度
2.支持多工程编辑
3.导入复杂的工程
Compressor更新内容:
1.更新多用户节点渲染
2.不用重新认证,激活附加的编码节点
3.解决第三方quicktime编码的整合问题
文章来自finalcolor.net,转载请著名出处,谢谢!
Motion 5更新内容:
1.更近文本锐度
2.支持多工程编辑
3.导入复杂的工程
Compressor更新内容:
1.更新多用户节点渲染
2.不用重新认证,激活附加的编码节点
3.解决第三方quicktime编码的整合问题
文章来自finalcolor.net,转载请著名出处,谢谢!
fcpx更新内容10.0.6
• 多声道支持
• 基础摄像机的标准输入设置
• 重新设计输出界面和范围导出功能
• 支持redone数据编辑和转码功能prores
• mxf文件de支持
• 双显模式显示示波器和匹配颜色
• 添加dvd章节标记
• 范围选择内容进行复合片段的制作
• 有选择的进行效果的复制
• 更加灵活的片段连接功能
• 通过按键来在时间线上添加静帧制作
• 关于阴影控制,提供了更多的参数屏幕控制功能
• 多片段编辑,提供了新的控制整合功能
• 在时间线上整合片段,自动保存在事件中,以便用于另一个工程的再次使用
• XML 1.2 支持第三方输入和舒服的丰富数据支持
• 更快prores导出
final cut pro x 10.0.6软件下载地址(试用版本!):
http://www.apple.com/finalcutpro/final cut pro 10.0.6.dmg
下载地址:
http://appldnld.apple.com/Final_Cut_Pro_X/041-8592.20121105.sS3ed/FinalCutProTrial10.0.6.dmg
文章来自finalcolor.net,转载请著名出处,谢谢!
Amsterdam_supermeet_2012 这次大会,介绍了avid ,baselight,Smoke 2013,REDONE,Davinci Resolve 9和blackmagic cinema camera,Adobe Premiere cs6,当然还有大家能经常接触到的red giant软件应用,以下视频只提供给内部学员学习!
amsterdam_supermeet_2012_-_davinci resolve 9视频:
Amsterdam Supermeet 2012 – demo AVID and Baselight视频:
Amsterdam Supermeet 2012 – Demo of Smoke 2013 on Vimeo视频:
Amsterdam Supermeet 2012 – Michael Cioni – Evolution or Extinction视频:
amsterdam_supermeet_2012_-premiere cs6视频:
amsterdam_supermeet_2012_-red giant视频:
以上所有内容来自finalcolor.net,转载请注明来源,谢谢!
首先感谢alex发布这些fcpx的未开启的功能
依次进行介绍
1.The Final Cut Pro / Contents / Frameworks / Flexo.framework / Versions / A / Resources / en.lproj / FFColorCubeScopeModule.nib file 可能支持3d 立体色彩监测仪 – 象在 Apple Color 中的视波仪一样
2.from Final Cut Pro / Contents / Frameworks / Flexo.framework / Versions / A / Resources / en.lproj / FFLocalizable.strings:
不是所有的工具都激活了.
/* Tool names */
“FFSelect” = “Select”;
“FFRangeSelection” = “Range Selection”;
“FFAnchor” = “Connect”;
“FFBlade” = “Blade”;
“FFTrim” = “Trim”;
“FFCrop” = “Crop”;
“FFDistort” = “Distort”;
“FFRetime” = “Retime”;
“FFBlade All” = “Blade All”;
“FFHand” = “Hand”;
“FFZoom” = “Zoom”;
“FFRectangle” = “Rectangle”;
“FFEllipse” = “Ellipse”;
“FFBezier” = “Bezier”;
“FFXSpline” = “B-Spline”;
“FFRectangleMask” = “Rectangular Mask”;
“FFEllipseMask” = “Elliptical Mask”;
“FFBezierMask” = “Bezier Mask”;
“FFXSplineMask” = “B-Spline Mask”;
“FFPivot” = “Connection point”;
“FFPlacement” = “Position”;
“FFTransform” = “Transform”;
“FFTransform2D” = “Transform 2D”;
“FFTransform3D” = “Transform 3D”;
“FFAnimationPath” = “Animation Path”;
“FFMotionPath” = “Motion Path”;
“FFKenBurns” = “Ken Burns”;
“FFText” = “Text”;
“FFNone” = “None”;
“FFTakeSnapshot” = “Take Snapshot”;
3.It seems that the way timelines work in version 10.0 wasn’t always the plan. Here’s a different icon (from Final Cut Pro / Contents / Resources / Sequence.icns) for timelines:
将来可能会增加轨道和故事线的切换模式
4.Maybe there’ll be a way of viewing audio as numbered channels:
“NumberedAudioChannel” = “NumberedAudioChannel”;
年底即将发布的多轨道音频编辑功能
5.多用户编辑权限
6.多格式,多编码的编辑媒体类型
Here is the contents of a file named “MediaAndSubTypes.strings”:
// Media Type
“vide” = “Video”;
“soun” = “Sound”;
“muxx” = “Muxed”;
“text” = “Text”;
“clcp” = “Closed Caption”;
“sbtl” = “Subtitle”;
“tmcd” = “Timecode”;
“tmet” = “Timed Metadata”;
“strm” = “Streaming”;
“twen” = “Tween”;
“sprt” = “Sprite”;
“sdsm” = “MPEG-4 SDSM”;
“odsm” = “MPEG-4 ODSM”;
“skin” = “Skin”;
“qtz ” = “Quartz Composer”;
// QuickTime VR
“qtvr” = “QuickTime VR”;
“pano” = “VR Panorama”;
“obje” = “QTVR Object”;
// Video Codecs
“videavc1″ = “H.264″;
“videjpeg” = “Photo – JPEG”;
“videSVQ1″ = “Sorenson Video”;
“videSVQ3″ = “Sorenson Video 3″;
“videcvid” = “Cinepak”;
“viderpza” = “Video”;
“viderle ” = “Animation”;
“videJvt3″ = “Apple H.264/AVC Video (Preview)”;
“videh263″ = “H.263″;
“vides263″ = “H.263″;
“videh261″ = “H.261″;
“videIV41″ = “Intel Indeo™ Video 4.3″;
“videmp4v” = “MPEG-4 Video”;
“videmjp2″ = “JPEG 2000″;
“videmjpa” = “Motion JPEG A”;
“videmjpb” = “Motion JPEG B”;
“videavr ” = “Motion JPEG AVR”;
“videdmb1″ = “Motion JPEG OpenDML”;
“videgif ” = “GIF”;
“videblur” = “Convolution Filter”;
“vide8BPS” = “Planar RGB”;
“videtrav” = “Traveling Matte”;
“videsmc ” = “Graphics”;
“videpng ” = “PNG”;
“videtint” = “Color Balance Filter”;
“videEIDI” = “EIDI”;
“videIV50″ = “Indeo™ video 5.1″;
“videtiff” = “TIFF”;
“videVP31″ = “On2 VP3 Video 3.2″;
“videzygo” = “ZyGoVideo”;
“videACTL” = “Streambox ACT-L2″;
“videmplo” = “Implode”;
“vide2vuy” = “Component Y’CbCr 8-bit 4:2:2 ordered Cb Y’0 Cr Y’1″;
“videyuvs” = “Component Y’CbCr 8-bit 4:2:2 ordered Y’0 Cb Y’1 Cr”;
“videv308″ = “Component Y’CbCr 8-bit 4:4:4″;
“videv408″ = “Component Y’CbCrA 8-bit 4:4:4:4 ordered Cb Y’ Cr A”;
“vider408″ = “Component Y’CbCrA 8-bit 4:4:4:4 ordered A Y’ Cb Cr”;
“videv216″ = “Component Y’CbCr 10,12,14,16-bit 4:2:2″;
“videv210″ = “Component Y’CbCr 10-bit 4:2:2″;
“videv410″ = “Component Y’CbCr 10-bit 4:4:4″;
“videy420″ = “Three-Plane Component Y’CbCr 8-bit 4:2:0″;
“videa2vy” = “Two-Plane Component Y’CbCr,A 8-bit 4:2:2,4″;
“videap4h” = “Apple ProRes 4444″;
“videapch” = “Apple ProRes 422 (HQ)”;
“videapcn” = “Apple ProRes 422″;
“videapcs” = “Apple ProRes 422 (LT)”;
“videapco” = “Apple ProRes 422 (Proxy)”;
“videbhiv” = “bhiv”;
“videclou” = “Cloud”;
“videfire” = “Fire”;
“videdrmi” = “AVC0 Media”;
“videdslv” = “Cross Fade”;
“videdvc ” = “DV/DVCPRO – NTSC”;
“videdvcp” = “DVC – PAL”;
“videdvpp” = “DVCPRO – PAL”;
“videdv5n” = “DVCPRO50 – NTSC”;
“videdv5p” = “DVCPRO50 – PAL”;
“videdvhp” = “DVCPRO HD (720p60)”;
“videdvhq” = “DVCPRO HD (720p50)”;
“videdvh6″ = “DVCPRO HD (1080i60)”;
“videdvh5″ = “DVCPRO HD (1080i50)”;
“videdvh3″ = “DVCPRO HD (1080p30)”;
“videdvh2″ = “DVCPRO HD (1080p25)”;
“videembs” = “Convolution Filter”;
“videfmns” = “Film Noise Filter”;
“videgenk” = “Convolution Filter”;
“videkpcd” = “Photo CD”;
“vidematt” = “Gradient Wipe”;
“videmp2v” = “MPEG-2 Video”;
“videmp1v” = “MPEG-1 Video”;
“videpush” = “Push”;
“videpxlt” = “Apple Pixlet Video”;
“videicod” = “Apple Intermediate Codec”;
“videshrp” = “Convolution Filter”;
“videslid” = “Push”;
“videsmpt” = “Wipe”;
“videsolr” = “Color Balance Filter”;
“videxplo” = “Implode”;
“vide1″ = “Uncompressed 1-bit Indexed Color”;
“vide2″ = “Uncompressed 2-bit Indexed Color”;
“vide4″ = “Uncompressed 4-bit Indexed Color”;
“vide8″ = “Uncompressed 8-bit Indexed Color”;
“vide33″ = “Uncompressed 1-bit Grayscale”;
“vide34″ = “Uncompressed 2-bit Grayscale”;
“vide36″ = “Uncompressed 4-bit Grayscale”;
“vide40″ = “Uncompressed 8-bit Grayscale”;
“vide32″ = “Uncompressed 32-bit ARGB”;
“vide24″ = “Uncompressed 24-bit RGB”;
“vide16″ = “Uncompressed 16-bit RGB 555 (Big Endian)”;
“vide24BG” = “Uncompressed 24-bit BGR”;
“videBGRA” = “Uncompressed 32-bit BGRA”;
“videABGR” = “Uncompressed 32-bit ABGR”;
“videRGBA” = “Uncompressed 32-bit RGBA”;
“videB565″ = “Uncompressed 16-bit RGB 565 (Big Endian)”;
“videL555″ = “Uncompressed 16-bit RGB 555 (Little Endian)”;
“videL565″ = “Uncompressed 16-bit RGB 565 (Little Endian)”;
“vide5551″ = “Uncompressed 16-bit RGB 5551 (Little Endian)”;
“videb64a” = “Uncompressed 64-bit ARGB”;
“videb48r” = “Uncompressed 48-bit RGB”;
“videb32a” = “Uncompressed 32-bit AlphaGray”;
“videb16g” = “Uncompressed 16-bit Grayscale”;
// Audio Codecs
“sounpaac” = “AAC (protected)”;
“sounvdva” = “DV”;
// Other Codecs
“texttext” = “Text”;
“qtvrqtvr” = “QuickTime VR”;
“tmcdtmcd” = “Timecode”;
“clcpc608″ = “Closed Caption”;
“clcpc708″ = “Closed Caption (708)”;
“texttx3g” = “Text”;
“sbtldrmt” = “Subtitle”;
“sbtltx3g” = “Subtitle”;
“hintrtp ” = “Hint”;
“sdsmmp4s” = “MPEG-4 SDSM”;
“odsmmp4s” = “MPEG-4 ODSM”;
“musimusi” = “Music”;
“skinskcr” = “Skin”;
“skinskdr” = “Skin”;
“strmrtsp” = “Streaming”;
“qtz qtz ” = “Quartz Composer”;
但不一定这些编码都会出现,当然其中一些将来会成为编辑视频的编码格式!
文章出自finalcolor.net,转载请注明,谢谢!
Blackmagic Design 宣布为自己的数字电影摄像机 发布4K 采集产品 和 镜头
UltraStudio 4K features full resolution 4K support, dual stream 3D capture/playback, 10bit hardware architecture, dual link 3 Gb/s SDI, support for up to 1080p60 in SDI, component analog and HDMI connections which support full SD, HD, and 4K.
“UltraStudio 4K is the best way to get high resolution 4K, advanced 3D and 4:4:4 capture and playback, in a professional rack based design that everyone can afford.”
We think this an amazing piece of kit for the price, maybe the only thing lacking is a Thunderbolt pass through which means it will have to be and end of chain device.
UltraStudio 4K Key Features
Dual Link 3G SDI (3 Gb/s SDI) connections, supports SD, HD up to 1080p60, 2K and 4K.
SDI inputs include full SDI re-clocking for capture from poor quality SDI sources.
HDMI in and out, supports SD and HD formats up to 1080p60, frame packing 3D and 4K.
Component analog in and out.
Component analog switches to s-video and composite.
2 channel balanced analog audio in and out. Additional RCA HiFi audio in.
2 channel AES/EBU unbalanced audio in and out.
Timecode in and out on XLR connectors
Genlock/tri-sync input.
Sony™ compatible RS-422 deck control.
Supports uncompressed 810 bit and compressed video capture and playback.
Supports 4K playback using new Dual Link 3 Gb/s SDI connections and HDMI.
Capture/playback of side by side, line by line, top and bottom and frame packing 3D via HDMI.
Capture/playback of side by side, line by line, top and bottom and dual stream 3D via SDI.
Includes hardware up down and cross conversion on playback.
Includes hardware SD and HD keying.
Compatible with Mac OS X computers with Thunderbolt™.
Supports Final Cut Pro X , Adobe® Premiere® Pro CS6, Adobe® Photoshop® CS6, Adobe ® After Effects® CS6 , DaVinci Resolve 9 and more.
Includes free developer SDK.
Includes free DaVinci Resolve Lite and Media Express capture and playback software.
文章出自finalcolor.net,转载请注明,谢谢!
相关页面介绍和下载:
http://www.blackmagicdesign.com/support/detail?os=mac&sid=3948&pid=4446&leg=false
9.0最新文档介绍:
http://www.blackmagicdesign.com/media/4666965/Resolve-Mac-9.0-ReadMe.pdf
Davinci Resolve LITE 9.0.4 (2012.11.29更新版本)下载地址:
http://software.blackmagicdesign.com/DaVinciResolve/Lite/DaVinci_Resolve_Lite_9.0.4_Mac.zip
经过测试,目前不受显示器分辨率的强制影响了,但分辨率越大越好,浏览工程的方式和fcpx雷同!
文章出自finalcolor.net,转载请注明,谢谢!
JL Cooper Eclipse调色台现在已经支持final cut pro x。
下载地址:
http://JLCooper.com/_php/downloads.php?op=downloads
虽然final cut pro x现在没有内建的设备输入设置,但JL Cooper Eclipse已经把fcpx的内建快捷键进行了转化,把调色color board进行了转化,可以使用轨迹球进行颜色的调整!
文章出自finalcolor.net,转载请注明,谢谢