工作流程(workflow)

final cut pro x 10.0.6功能直播介绍(更新中)

1.强大的导入功能,视频,图片声音都能导入,iphone,nokia 808,redone ,canon 5d/7d/5d III,都没问题,传输速度之快,功能优秀!

import

2.final cut pro x支持4k,5k视频编辑功能

project

3.渲染速度提升到原来的3200%,提供了prores 4444,prores 422hq, prores 422 ,prores 422 LT多种渲染方案

render prores

文章来自finalcolor.net,转载请著名出处,谢谢!

Motion 5和Compressor也相应作出更新内容

Motion 5更新内容:

1.更近文本锐度
2.支持多工程编辑
3.导入复杂的工程

Compressor更新内容:

1.更新多用户节点渲染
2.不用重新认证,激活附加的编码节点
3.解决第三方quicktime编码的整合问题

文章来自finalcolor.net,转载请著名出处,谢谢!

视频直播技术和现场视频

视频介绍:

文章出自finalcolor.net,转载请注明来源,谢谢!

最近影视制作工业的格局变化情况

1.基于文件采集的情况

2.数字项目

3.RAW图像采集

4.GPU CUDA 图像运算

5.iOS 软件的应用

6.传输协议,例如usb3,thunderbolt

7.软件已经超过硬件发展趋势,就是拼的是软件了

8.后期制作的布局变了

原文截图:

Screen Shot 2012 09 24 at 下午9 17 15

以上所有内容来自finalcolor.net,转载请注明来源,谢谢!

Amsterdam_supermeet_2012高端影视会议(更新中)

Amsterdam_supermeet_2012 这次大会,介绍了avid ,baselight,Smoke 2013,REDONE,Davinci Resolve 9和blackmagic cinema camera,Adobe Premiere cs6,当然还有大家能经常接触到的red giant软件应用,以下视频只提供给内部学员学习!

amsterdam_supermeet_2012_-_davinci resolve 9视频:

Amsterdam Supermeet 2012 – demo AVID and Baselight视频:

Amsterdam Supermeet 2012 – Demo of Smoke 2013 on Vimeo视频:

Amsterdam Supermeet 2012 – Michael Cioni – Evolution or Extinction视频:

amsterdam_supermeet_2012_-premiere cs6视频:

amsterdam_supermeet_2012_-red giant视频:

以上所有内容来自finalcolor.net,转载请注明来源,谢谢!

Final Cut Pro X 未开启的功能和秘密

首先感谢alex发布这些fcpx的未开启的功能

依次进行介绍

1.The Final Cut Pro / Contents / Frameworks / Flexo.framework / Versions / A / Resources / en.lproj / FFColorCubeScopeModule.nib file 可能支持3d 立体色彩监测仪 – 象在 Apple Color 中的视波仪一样

colorcube(点击图片放大)

2.from Final Cut Pro / Contents / Frameworks / Flexo.framework / Versions / A / Resources / en.lproj / FFLocalizable.strings:

不是所有的工具都激活了.

/* Tool names */
“FFSelect” = “Select”;
“FFRangeSelection” = “Range Selection”;
“FFAnchor” = “Connect”;
“FFBlade” = “Blade”;
“FFTrim” = “Trim”;
“FFCrop” = “Crop”;
“FFDistort” = “Distort”;
“FFRetime” = “Retime”;
“FFBlade All” = “Blade All”;
“FFHand” = “Hand”;
“FFZoom” = “Zoom”;
“FFRectangle” = “Rectangle”;
“FFEllipse” = “Ellipse”;
“FFBezier” = “Bezier”;
“FFXSpline” = “B-Spline”;
“FFRectangleMask” = “Rectangular Mask”;
“FFEllipseMask” = “Elliptical Mask”;
“FFBezierMask” = “Bezier Mask”;
“FFXSplineMask” = “B-Spline Mask”;
“FFPivot” = “Connection point”;
“FFPlacement” = “Position”;
“FFTransform” = “Transform”;
“FFTransform2D” = “Transform 2D”;
“FFTransform3D” = “Transform 3D”;
“FFAnimationPath” = “Animation Path”;
“FFMotionPath” = “Motion Path”;
“FFKenBurns” = “Ken Burns”;
“FFText” = “Text”;
“FFNone” = “None”;
“FFTakeSnapshot” = “Take Snapshot”;

3.It seems that the way timelines work in version 10.0 wasn’t always the plan. Here’s a different icon (from Final Cut Pro / Contents / Resources / Sequence.icns) for timelines:
将来可能会增加轨道和故事线的切换模式

timeline

4.Maybe there’ll be a way of viewing audio as numbered channels:

“NumberedAudioChannel” = “NumberedAudioChannel”;

年底即将发布的多轨道音频编辑功能

5.多用户编辑权限

end user

6.多格式,多编码的编辑媒体类型

Here is the contents of a file named “MediaAndSubTypes.strings”:

// Media Type
“vide” = “Video”;
“soun” = “Sound”;
“muxx” = “Muxed”;
“text” = “Text”;
“clcp” = “Closed Caption”;
“sbtl” = “Subtitle”;
“tmcd” = “Timecode”;
“tmet” = “Timed Metadata”;
“strm” = “Streaming”;
“twen” = “Tween”;
“sprt” = “Sprite”;
“sdsm” = “MPEG-4 SDSM”;
“odsm” = “MPEG-4 ODSM”;
“skin” = “Skin”;
“qtz ” = “Quartz Composer”;

// QuickTime VR
“qtvr” = “QuickTime VR”;
“pano” = “VR Panorama”;
“obje” = “QTVR Object”;

// Video Codecs
“videavc1″ = “H.264″;
“videjpeg” = “Photo – JPEG”;
“videSVQ1″ = “Sorenson Video”;
“videSVQ3″ = “Sorenson Video 3″;
“videcvid” = “Cinepak”;
“viderpza” = “Video”;
“viderle ” = “Animation”;
“videJvt3″ = “Apple H.264/AVC Video (Preview)”;
“videh263″ = “H.263″;
“vides263″ = “H.263″;
“videh261″ = “H.261″;
“videIV41″ = “Intel Indeo™ Video 4.3″;
“videmp4v” = “MPEG-4 Video”;
“videmjp2″ = “JPEG 2000″;
“videmjpa” = “Motion JPEG A”;
“videmjpb” = “Motion JPEG B”;
“videavr ” = “Motion JPEG AVR”;
“videdmb1″ = “Motion JPEG OpenDML”;
“videgif ” = “GIF”;
“videblur” = “Convolution Filter”;
“vide8BPS” = “Planar RGB”;
“videtrav” = “Traveling Matte”;
“videsmc ” = “Graphics”;
“videpng ” = “PNG”;
“videtint” = “Color Balance Filter”;
“videEIDI” = “EIDI”;
“videIV50″ = “Indeo™ video 5.1″;
“videtiff” = “TIFF”;
“videVP31″ = “On2 VP3 Video 3.2″;
“videzygo” = “ZyGoVideo”;
“videACTL” = “Streambox ACT-L2″;
“videmplo” = “Implode”;
“vide2vuy” = “Component Y’CbCr 8-bit 4:2:2 ordered Cb Y’0 Cr Y’1″;
“videyuvs” = “Component Y’CbCr 8-bit 4:2:2 ordered Y’0 Cb Y’1 Cr”;
“videv308″ = “Component Y’CbCr 8-bit 4:4:4″;
“videv408″ = “Component Y’CbCrA 8-bit 4:4:4:4 ordered Cb Y’ Cr A”;
“vider408″ = “Component Y’CbCrA 8-bit 4:4:4:4 ordered A Y’ Cb Cr”;
“videv216″ = “Component Y’CbCr 10,12,14,16-bit 4:2:2″;
“videv210″ = “Component Y’CbCr 10-bit 4:2:2″;
“videv410″ = “Component Y’CbCr 10-bit 4:4:4″;
“videy420″ = “Three-Plane Component Y’CbCr 8-bit 4:2:0″;
“videa2vy” = “Two-Plane Component Y’CbCr,A 8-bit 4:2:2,4″;
“videap4h” = “Apple ProRes 4444″;
“videapch” = “Apple ProRes 422 (HQ)”;
“videapcn” = “Apple ProRes 422″;
“videapcs” = “Apple ProRes 422 (LT)”;
“videapco” = “Apple ProRes 422 (Proxy)”;
“videbhiv” = “bhiv”;
“videclou” = “Cloud”;
“videfire” = “Fire”;
“videdrmi” = “AVC0 Media”;
“videdslv” = “Cross Fade”;
“videdvc ” = “DV/DVCPRO – NTSC”;
“videdvcp” = “DVC – PAL”;
“videdvpp” = “DVCPRO – PAL”;
“videdv5n” = “DVCPRO50 – NTSC”;
“videdv5p” = “DVCPRO50 – PAL”;
“videdvhp” = “DVCPRO HD (720p60)”;
“videdvhq” = “DVCPRO HD (720p50)”;
“videdvh6″ = “DVCPRO HD (1080i60)”;
“videdvh5″ = “DVCPRO HD (1080i50)”;
“videdvh3″ = “DVCPRO HD (1080p30)”;
“videdvh2″ = “DVCPRO HD (1080p25)”;
“videembs” = “Convolution Filter”;
“videfmns” = “Film Noise Filter”;
“videgenk” = “Convolution Filter”;
“videkpcd” = “Photo CD”;
“vidematt” = “Gradient Wipe”;
“videmp2v” = “MPEG-2 Video”;
“videmp1v” = “MPEG-1 Video”;
“videpush” = “Push”;
“videpxlt” = “Apple Pixlet Video”;
“videicod” = “Apple Intermediate Codec”;
“videshrp” = “Convolution Filter”;
“videslid” = “Push”;
“videsmpt” = “Wipe”;
“videsolr” = “Color Balance Filter”;
“videxplo” = “Implode”;
“vide1″ = “Uncompressed 1-bit Indexed Color”;
“vide2″ = “Uncompressed 2-bit Indexed Color”;
“vide4″ = “Uncompressed 4-bit Indexed Color”;
“vide8″ = “Uncompressed 8-bit Indexed Color”;
“vide33″ = “Uncompressed 1-bit Grayscale”;
“vide34″ = “Uncompressed 2-bit Grayscale”;
“vide36″ = “Uncompressed 4-bit Grayscale”;
“vide40″ = “Uncompressed 8-bit Grayscale”;
“vide32″ = “Uncompressed 32-bit ARGB”;
“vide24″ = “Uncompressed 24-bit RGB”;
“vide16″ = “Uncompressed 16-bit RGB 555 (Big Endian)”;
“vide24BG” = “Uncompressed 24-bit BGR”;
“videBGRA” = “Uncompressed 32-bit BGRA”;
“videABGR” = “Uncompressed 32-bit ABGR”;
“videRGBA” = “Uncompressed 32-bit RGBA”;
“videB565″ = “Uncompressed 16-bit RGB 565 (Big Endian)”;
“videL555″ = “Uncompressed 16-bit RGB 555 (Little Endian)”;
“videL565″ = “Uncompressed 16-bit RGB 565 (Little Endian)”;
“vide5551″ = “Uncompressed 16-bit RGB 5551 (Little Endian)”;
“videb64a” = “Uncompressed 64-bit ARGB”;
“videb48r” = “Uncompressed 48-bit RGB”;
“videb32a” = “Uncompressed 32-bit AlphaGray”;
“videb16g” = “Uncompressed 16-bit Grayscale”;

// Audio Codecs
“sounpaac” = “AAC (protected)”;
“sounvdva” = “DV”;

// Other Codecs
“texttext” = “Text”;
“qtvrqtvr” = “QuickTime VR”;
“tmcdtmcd” = “Timecode”;
“clcpc608″ = “Closed Caption”;
“clcpc708″ = “Closed Caption (708)”;
“texttx3g” = “Text”;
“sbtldrmt” = “Subtitle”;
“sbtltx3g” = “Subtitle”;
“hintrtp ” = “Hint”;
“sdsmmp4s” = “MPEG-4 SDSM”;
“odsmmp4s” = “MPEG-4 ODSM”;
“musimusi” = “Music”;
“skinskcr” = “Skin”;
“skinskdr” = “Skin”;
“strmrtsp” = “Streaming”;
“qtz qtz ” = “Quartz Composer”;

但不一定这些编码都会出现,当然其中一些将来会成为编辑视频的编码格式!

文章出自finalcolor.net,转载请注明,谢谢!

aja发布T-TAP(其他设备)转接盒来进行广播级别的监看和输出

先看一下工作流程布局:(点击图片看大图)

ALL

直接通过雷电端口到T-TAP工具,有sdi和HDMI输出端口进行监看功能

PRO

ZHENG FAN

1、支持10-bit, SD, HD and 2K 的输出

2、3D的视频输出支持

3、支持multi-channel 回放,例如 5.1 – or even 7.1 mixes.

视频展示:

文章出自finalcolor.net,转载请注明,谢谢!

Nuke 7合成软件发布(视频)

官方发布的演示视频:

文章出自finalcolor.net,转载请注明,谢谢!

BirTV2012 Avid剪辑《谍中谍4》的剪辑介绍

剪辑当中用到大量的IMAX素材,和red数字素材,包括avid软件介绍的针对多种胶片的剪辑方案.影片中还设计了给谍中谍4的配音工作,那些sound design只做了少量的讲解!

上图:

DSC 1782

DSC 1783

DSC 1784

DSC 1785

DSC 1786

文章出自finalcolor.net,转载请注明,谢谢!

final cut pro x在输入字符将自动加载单词拼写联想功能

final cut pro x在输入字符将自动加载单词拼写联想功能,帮你拼写相关单词,但目前还不支持中文联想。

如图所示:(点击图片看大图)

fcpx spelling

文章出自finalcolor.net,转载请注明,谢谢!

final cut pro x直接导出dpx序列图功能

final cut pro x直接导出dpx序列图功能

fcp export to DPX

文章出自finalcolor.net,转载请注明,谢谢!

Red Giant 获得 singular软件的所有产品和知识产权

官方网站以对其进行公布!

(点击看大图)
red giant plur

red giant公司给我们各个平台,包括fcp,motion,avid,和adobe提供了很多的调色,比如adobe下的after effects插件trapcode particular粒子制作,光工厂插件knoll light factory,视频滤镜抠像等后期插件工具,

singular比较著名的旗舰软件产品是PluralEyes,该软件做到了单反视频声话同步功能,多机位同步功能

但red giant把singular的所有软件进行收购,又对自己的产品范围进行完善,壮大了其涉及到的编辑范围。

文章出自finalcolor.net,转载请注明,谢谢

Final Cut Pro Killer Secrets秘笈电子书现可免费下载

killer secret ebook free

当年这本final cut pro高级秘笈销量甚好,里面包含了final cut pro 7的好多秘笈功能,让你在使用final cut pro 7创作的时候,能省下不少的时间花在你的创意上!

1.官方网站下载地址:

http://www.digital-heaven.co.uk/killersecrets

2.进入网站后,点击”download”下载标志

3.然后填入你的email地址,点击submit提交后,电子书就会发到你邮箱当中。

 

文章出自finalcolor.net,转载请注明,谢谢

DaVinci Resolve達文西調光系統精研座談會全紀錄(更新中)

这些视频是台湾hdclub精研视务所的原创视频,对其进行转载,方便学习参考之用,视频中介绍了调色理论和工作流程相关介绍,还涉及到了一些davinci 9的最新界面 finalcolor.net进行了转载

Part 1:

Part 2:

Part 3:

Part 4:

调色软件里的color space色彩空间设置

rec 709

上面所显示的,都是在电子显示设备上,广播和电影制作工业标准的颜色和光重新再建立的设置。

Rec. 601主要针对管理标清分辨率的视频和色域空间颜色

Rec. 709 主要针对管理高清分辨率视频的色域和gamma值

DCI P3是数字电影的标准。

不同的色彩空间设置,对画面的色彩呈现和对肤色的影响都不一样,所以要根据影片逐一考虑。

文章出自finalcolor.net,转载请注明,谢谢!