ClipExporter 1.2 for final cut pro x 现在免费并且开源

Posted on 12/14/2012 by FinalColor视频工作室 in Adobe, After effects, final cut pro, final cut pro x, final cut studio, nuke, 功能分析, 工作流程（workflow）, 影视技艺文章, 苹果系统 | 已关闭评论

曾经在app store上需要付费的软件，现在免费提供，而且开源开源，可供用户进行开发，和及时的反馈。

这况软件可以利用final cut pro x的fcpxml语言，导出整个时间线给ae,也可以专门选择某个片段到Syntheyes,nuke，拓展了final cut pro x和各个软件的交互工作流程。

视频演示：

文章出自finalcolor.net，转载请注明出处，谢谢！

不同bit图像的level等级

Posted on 12/07/2012 by FinalColor视频工作室 in 制作常识, 功能分析, 影视技艺文章 | 已关闭评论

DNG：12-bit RAW

Levels per component:

12-bit=4096 10-bit=1024 8-bit=256

在final cut pro x输入3D模型文件，进行三维参数调整

Posted on 11/05/2012 by FinalColor视频工作室 in final cut pro x, plugin, 功能分析, 影视技艺文章, 苹果系统 | 已关闭评论

基于苹果新技术Quartz Composer技术, 插件使用的模型格式是 .dae format (digital asset exchange) 意味着一些三维软件，例如3ds Max, Blender, Cinema 4D and even SketchUp 都可以输出这种格式来进行使用！

插件使用截图：

视频演示：

final cut pro x 10.0.6和premiere pro cs6各项性能对比测试

Posted on 10/31/2012 by FinalColor视频工作室 in final cut pro, final cut pro x, final cut studio, Motion 5, Tutorials, 功能分析, 工作流程（workflow）, 影视技艺文章, 苹果系统 | 已关闭评论

首先感谢Alex Gollner的对比测试，alex在测试过程使用的是同样的素材和同样的参数，

final cut pro x 10.0.6从渲染和导出的指标都远超过premiere pro cs6的218%。速度是pr cs6的3倍。将更加提高我们的工作效率和提供更多创意的时间。

图片截图（点击看大图）：

测试视频如下：

文章源自finalcolor.net,转载请注明出处，谢谢！

final cut pro x 10.0.6功能直播介绍(更新中)

Posted on 10/24/2012 by FinalColor视频工作室 in final cut pro, final cut pro x, REDONE, 功能分析, 工作流程（workflow）, 影视技艺文章 | 已关闭评论

1.强大的导入功能，视频，图片声音都能导入，iphone,nokia 808,redone ,canon 5d/7d/5d III,都没问题，传输速度之快，功能优秀！

2.final cut pro x支持4k,5k视频编辑功能

3.渲染速度提升到原来的3200%，提供了prores 4444,prores 422hq, prores 422 ，prores 422 LT多种渲染方案

文章来自finalcolor.net，转载请著名出处，谢谢！

Final Cut Pro X 未开启的功能和秘密

Posted on 09/18/2012 by FinalColor视频工作室 in color correction, color grading, final cut pro, final cut pro x, 功能分析, 工作流程（workflow）, 影视技艺文章, 苹果系统 | 已关闭评论

首先感谢alex发布这些fcpx的未开启的功能

依次进行介绍

1.The Final Cut Pro / Contents / Frameworks / Flexo.framework / Versions / A / Resources / en.lproj / FFColorCubeScopeModule.nib file 可能支持3d 立体色彩监测仪 – 象在 Apple Color 中的视波仪一样

（点击图片放大）

2.from Final Cut Pro / Contents / Frameworks / Flexo.framework / Versions / A / Resources / en.lproj / FFLocalizable.strings:

不是所有的工具都激活了.

/* Tool names */
“FFSelect” = “Select”;
“FFRangeSelection” = “Range Selection”;
“FFAnchor” = “Connect”;
“FFBlade” = “Blade”;
“FFTrim” = “Trim”;
“FFCrop” = “Crop”;
“FFDistort” = “Distort”;
“FFRetime” = “Retime”;
“FFBlade All” = “Blade All”;
“FFHand” = “Hand”;
“FFZoom” = “Zoom”;
“FFRectangle” = “Rectangle”;
“FFEllipse” = “Ellipse”;
“FFBezier” = “Bezier”;
“FFXSpline” = “B-Spline”;
“FFRectangleMask” = “Rectangular Mask”;
“FFEllipseMask” = “Elliptical Mask”;
“FFBezierMask” = “Bezier Mask”;
“FFXSplineMask” = “B-Spline Mask”;
“FFPivot” = “Connection point”;
“FFPlacement” = “Position”;
“FFTransform” = “Transform”;
“FFTransform2D” = “Transform 2D”;
“FFTransform3D” = “Transform 3D”;
“FFAnimationPath” = “Animation Path”;
“FFMotionPath” = “Motion Path”;
“FFKenBurns” = “Ken Burns”;
“FFText” = “Text”;
“FFNone” = “None”;
“FFTakeSnapshot” = “Take Snapshot”;

3.It seems that the way timelines work in version 10.0 wasn’t always the plan. Here’s a different icon (from Final Cut Pro / Contents / Resources / Sequence.icns) for timelines:
将来可能会增加轨道和故事线的切换模式

4.Maybe there’ll be a way of viewing audio as numbered channels:

“NumberedAudioChannel” = “NumberedAudioChannel”;

年底即将发布的多轨道音频编辑功能

5.多用户编辑权限

6.多格式，多编码的编辑媒体类型

Here is the contents of a file named “MediaAndSubTypes.strings”:

// Media Type
“vide” = “Video”;
“soun” = “Sound”;
“muxx” = “Muxed”;
“text” = “Text”;
“clcp” = “Closed Caption”;
“sbtl” = “Subtitle”;
“tmcd” = “Timecode”;
“tmet” = “Timed Metadata”;
“strm” = “Streaming”;
“twen” = “Tween”;
“sprt” = “Sprite”;
“sdsm” = “MPEG-4 SDSM”;
“odsm” = “MPEG-4 ODSM”;
“skin” = “Skin”;
“qtz ” = “Quartz Composer”;

// QuickTime VR
“qtvr” = “QuickTime VR”;
“pano” = “VR Panorama”;
“obje” = “QTVR Object”;

// Video Codecs
“videavc1″ = “H.264″;
“videjpeg” = “Photo – JPEG”;
“videSVQ1″ = “Sorenson Video”;
“videSVQ3″ = “Sorenson Video 3″;
“videcvid” = “Cinepak”;
“viderpza” = “Video”;
“viderle ” = “Animation”;
“videJvt3″ = “Apple H.264/AVC Video (Preview)”;
“videh263″ = “H.263″;
“vides263″ = “H.263″;
“videh261″ = “H.261″;
“videIV41″ = “Intel Indeo™ Video 4.3″;
“videmp4v” = “MPEG-4 Video”;
“videmjp2″ = “JPEG 2000″;
“videmjpa” = “Motion JPEG A”;
“videmjpb” = “Motion JPEG B”;
“videavr ” = “Motion JPEG AVR”;
“videdmb1″ = “Motion JPEG OpenDML”;
“videgif ” = “GIF”;
“videblur” = “Convolution Filter”;
“vide8BPS” = “Planar RGB”;
“videtrav” = “Traveling Matte”;
“videsmc ” = “Graphics”;
“videpng ” = “PNG”;
“videtint” = “Color Balance Filter”;
“videEIDI” = “EIDI”;
“videIV50″ = “Indeo™ video 5.1″;
“videtiff” = “TIFF”;
“videVP31″ = “On2 VP3 Video 3.2″;
“videzygo” = “ZyGoVideo”;
“videACTL” = “Streambox ACT-L2″;
“videmplo” = “Implode”;
“vide2vuy” = “Component Y’CbCr 8-bit 4:2:2 ordered Cb Y’0 Cr Y’1″;
“videyuvs” = “Component Y’CbCr 8-bit 4:2:2 ordered Y’0 Cb Y’1 Cr”;
“videv308″ = “Component Y’CbCr 8-bit 4:4:4″;
“videv408″ = “Component Y’CbCrA 8-bit 4:4:4:4 ordered Cb Y’ Cr A”;
“vider408″ = “Component Y’CbCrA 8-bit 4:4:4:4 ordered A Y’ Cb Cr”;
“videv216″ = “Component Y’CbCr 10,12,14,16-bit 4:2:2″;
“videv210″ = “Component Y’CbCr 10-bit 4:2:2″;
“videv410″ = “Component Y’CbCr 10-bit 4:4:4″;
“videy420″ = “Three-Plane Component Y’CbCr 8-bit 4:2:0″;
“videa2vy” = “Two-Plane Component Y’CbCr,A 8-bit 4:2:2,4″;
“videap4h” = “Apple ProRes 4444″;
“videapch” = “Apple ProRes 422 (HQ)”;
“videapcn” = “Apple ProRes 422″;
“videapcs” = “Apple ProRes 422 (LT)”;
“videapco” = “Apple ProRes 422 (Proxy)”;
“videbhiv” = “bhiv”;
“videclou” = “Cloud”;
“videfire” = “Fire”;
“videdrmi” = “AVC0 Media”;
“videdslv” = “Cross Fade”;
“videdvc ” = “DV/DVCPRO – NTSC”;
“videdvcp” = “DVC – PAL”;
“videdvpp” = “DVCPRO – PAL”;
“videdv5n” = “DVCPRO50 – NTSC”;
“videdv5p” = “DVCPRO50 – PAL”;
“videdvhp” = “DVCPRO HD (720p60)”;
“videdvhq” = “DVCPRO HD (720p50)”;
“videdvh6″ = “DVCPRO HD (1080i60)”;
“videdvh5″ = “DVCPRO HD (1080i50)”;
“videdvh3″ = “DVCPRO HD (1080p30)”;
“videdvh2″ = “DVCPRO HD (1080p25)”;
“videembs” = “Convolution Filter”;
“videfmns” = “Film Noise Filter”;
“videgenk” = “Convolution Filter”;
“videkpcd” = “Photo CD”;
“vidematt” = “Gradient Wipe”;
“videmp2v” = “MPEG-2 Video”;
“videmp1v” = “MPEG-1 Video”;
“videpush” = “Push”;
“videpxlt” = “Apple Pixlet Video”;
“videicod” = “Apple Intermediate Codec”;
“videshrp” = “Convolution Filter”;
“videslid” = “Push”;
“videsmpt” = “Wipe”;
“videsolr” = “Color Balance Filter”;
“videxplo” = “Implode”;
“vide1″ = “Uncompressed 1-bit Indexed Color”;
“vide2″ = “Uncompressed 2-bit Indexed Color”;
“vide4″ = “Uncompressed 4-bit Indexed Color”;
“vide8″ = “Uncompressed 8-bit Indexed Color”;
“vide33″ = “Uncompressed 1-bit Grayscale”;
“vide34″ = “Uncompressed 2-bit Grayscale”;
“vide36″ = “Uncompressed 4-bit Grayscale”;
“vide40″ = “Uncompressed 8-bit Grayscale”;
“vide32″ = “Uncompressed 32-bit ARGB”;
“vide24″ = “Uncompressed 24-bit RGB”;
“vide16″ = “Uncompressed 16-bit RGB 555 (Big Endian)”;
“vide24BG” = “Uncompressed 24-bit BGR”;
“videBGRA” = “Uncompressed 32-bit BGRA”;
“videABGR” = “Uncompressed 32-bit ABGR”;
“videRGBA” = “Uncompressed 32-bit RGBA”;
“videB565″ = “Uncompressed 16-bit RGB 565 (Big Endian)”;
“videL555″ = “Uncompressed 16-bit RGB 555 (Little Endian)”;
“videL565″ = “Uncompressed 16-bit RGB 565 (Little Endian)”;
“vide5551″ = “Uncompressed 16-bit RGB 5551 (Little Endian)”;
“videb64a” = “Uncompressed 64-bit ARGB”;
“videb48r” = “Uncompressed 48-bit RGB”;
“videb32a” = “Uncompressed 32-bit AlphaGray”;
“videb16g” = “Uncompressed 16-bit Grayscale”;

// Audio Codecs
“sounpaac” = “AAC (protected)”;
“sounvdva” = “DV”;

// Other Codecs
“texttext” = “Text”;
“qtvrqtvr” = “QuickTime VR”;
“tmcdtmcd” = “Timecode”;
“clcpc608″ = “Closed Caption”;
“clcpc708″ = “Closed Caption (708)”;
“texttx3g” = “Text”;
“sbtldrmt” = “Subtitle”;
“sbtltx3g” = “Subtitle”;
“hintrtp ” = “Hint”;
“sdsmmp4s” = “MPEG-4 SDSM”;
“odsmmp4s” = “MPEG-4 ODSM”;
“musimusi” = “Music”;
“skinskcr” = “Skin”;
“skinskdr” = “Skin”;
“strmrtsp” = “Streaming”;
“qtz qtz ” = “Quartz Composer”;

但不一定这些编码都会出现，当然其中一些将来会成为编辑视频的编码格式！

文章出自finalcolor.net，转载请注明，谢谢！

调色中解决曝光问题指导

Posted on 09/12/2012 by FinalColor视频工作室 in color, color correction, color grading, Davinci Resolve, 制作常识, 功能分析, 影视技艺文章, 苹果系统 | 已关闭评论

如果发现在图像主题有曝光的情况，作为调色师解决曝光的方法，除了很直白的去调整highlight/Gain。另外一种方法，我们可以把曝光区独立出来，朝着主题色彩的方向去进行图像的调整。

文章出自finalcolor.net，转载请注明，谢谢！

aja发布T-TAP(其他设备)转接盒来进行广播级别的监看和输出

Posted on 09/08/2012 by FinalColor视频工作室 in 5D Mark II, aja, Edit, final cut pro, final cut pro x, Thunderbolt, 功能分析, 工作流程（workflow）, 影视技艺文章, 苹果系统 | 已关闭评论

先看一下工作流程布局：（点击图片看大图）

直接通过雷电端口到T-TAP工具，有sdi和HDMI输出端口进行监看功能

1、支持10-bit, SD, HD and 2K 的输出

2、3D的视频输出支持

3、支持multi-channel 回放，例如 5.1 – or even 7.1 mixes.

视频展示：

文章出自finalcolor.net，转载请注明，谢谢！

Nuke 7合成软件发布(视频)

Posted on 09/07/2012 by FinalColor视频工作室 in Apple - OS X Lion, Mac OS X, nuke, 功能分析, 工作流程（workflow）, 影视技艺文章 | 已关闭评论

官方发布的演示视频：

文章出自finalcolor.net，转载请注明，谢谢！

Blackmagic Design 宣布为自己的数字电影摄像机发布4K 采集产品和镜头

Posted on 09/07/2012 by FinalColor视频工作室 in color, color correction, color grading, Davinci Resolve, final cut pro x, Works, 功能分析, 影视技艺文章, 苹果系统 | 已关闭评论

Blackmagic Design 宣布为自己的数字电影摄像机发布4K 采集产品和镜头

UltraStudio 4K features full resolution 4K support, dual stream 3D capture/playback, 10bit hardware architecture, dual link 3 Gb/s SDI, support for up to 1080p60 in SDI, component analog and HDMI connections which support full SD, HD, and 4K.

“UltraStudio 4K is the best way to get high resolution 4K, advanced 3D and 4:4:4 capture and playback, in a professional rack based design that everyone can afford.”

We think this an amazing piece of kit for the price, maybe the only thing lacking is a Thunderbolt pass through which means it will have to be and end of chain device.

UltraStudio 4K Key Features

Dual Link 3G SDI (3 Gb/s SDI) connections, supports SD, HD up to 1080p60, 2K and 4K.
SDI inputs include full SDI re-clocking for capture from poor quality SDI sources.
HDMI in and out, supports SD and HD formats up to 1080p60, frame packing 3D and 4K.
Component analog in and out.
Component analog switches to s-video and composite.
2 channel balanced analog audio in and out. Additional RCA HiFi audio in.
2 channel AES/EBU unbalanced audio in and out.
Timecode in and out on XLR connectors
Genlock/tri-sync input.
Sony™ compatible RS-422 deck control.
Supports uncompressed 810 bit and compressed video capture and playback.
Supports 4K playback using new Dual Link 3 Gb/s SDI connections and HDMI.
Capture/playback of side by side, line by line, top and bottom and frame packing 3D via HDMI.
Capture/playback of side by side, line by line, top and bottom and dual stream 3D via SDI.
Includes hardware up down and cross conversion on playback.
Includes hardware SD and HD keying.
Compatible with Mac OS X computers with Thunderbolt™.
Supports Final Cut Pro X , Adobe® Premiere® Pro CS6, Adobe® Photoshop® CS6, Adobe ® After Effects® CS6 , DaVinci Resolve 9 and more.
Includes free developer SDK.
Includes free DaVinci Resolve Lite and Media Express capture and playback software.