摄像机的变革-blackmagic cinema camera和5d iii拍摄画面品质的比较

Posted on 09/26/2012 by FinalColor视频工作室 in final cut pro, 影视技艺文章 | 已关闭评论

comparing_the_cinema_camera_&_5d_mk_iii，新生的blackmagic cinema camera摄像机和5d iii摄像机拍摄对比，曾经摄影师疯狂追崇的单反时代看来要被超越了。blackmagic cinema camera 追求高画质的细腻。关注http://www.finalcolor.net了解更多的影视制作行业动态变化.建议用户切换到”原画”画质观看对比！

建议用户一定要点击图片看大尺寸的画面对比，注重细节的体现！（点击图片看大图！）

各项指标对比视频：

以上所有内容来自finalcolor.net,转载请注明来源，谢谢！

最近影视制作工业的格局变化情况

Posted on 09/24/2012 by FinalColor视频工作室 in 工作流程（workflow）, 影视技艺文章 | 已关闭评论

1.基于文件采集的情况

2.数字项目

3.RAW图像采集

4.GPU CUDA 图像运算

5.iOS 软件的应用

6.传输协议，例如usb3,thunderbolt

7.软件已经超过硬件发展趋势，就是拼的是软件了

8.后期制作的布局变了

原文截图：

以上所有内容来自finalcolor.net,转载请注明来源，谢谢！

Amsterdam_supermeet_2012高端影视会议(更新中)

Posted on 09/24/2012 by FinalColor视频工作室 in color, color correction, color grading, Davinci Resolve, final cut pro, final cut pro x, final cut studio, Magic Bullet Grinder, Motion 5, 工作流程（workflow）, 影视技艺文章, 苹果系统 | 已关闭评论

Amsterdam_supermeet_2012 这次大会，介绍了avid ,baselight,Smoke 2013,REDONE,Davinci Resolve 9和blackmagic cinema camera,Adobe Premiere cs6,当然还有大家能经常接触到的red giant软件应用，以下视频只提供给内部学员学习！

amsterdam_supermeet_2012_-_davinci resolve 9视频：

Amsterdam Supermeet 2012 – demo AVID and Baselight视频：

Amsterdam Supermeet 2012 – Demo of Smoke 2013 on Vimeo视频：

Amsterdam Supermeet 2012 – Michael Cioni – Evolution or Extinction视频：

amsterdam_supermeet_2012_-premiere cs6视频：

amsterdam_supermeet_2012_-red giant视频：

以上所有内容来自finalcolor.net,转载请注明来源，谢谢！

Final Cut Pro X 未开启的功能和秘密

Posted on 09/18/2012 by FinalColor视频工作室 in color correction, color grading, final cut pro, final cut pro x, 功能分析, 工作流程（workflow）, 影视技艺文章, 苹果系统 | 已关闭评论

首先感谢alex发布这些fcpx的未开启的功能

依次进行介绍

1.The Final Cut Pro / Contents / Frameworks / Flexo.framework / Versions / A / Resources / en.lproj / FFColorCubeScopeModule.nib file 可能支持3d 立体色彩监测仪 – 象在 Apple Color 中的视波仪一样

（点击图片放大）

2.from Final Cut Pro / Contents / Frameworks / Flexo.framework / Versions / A / Resources / en.lproj / FFLocalizable.strings:

不是所有的工具都激活了.

/* Tool names */
“FFSelect” = “Select”;
“FFRangeSelection” = “Range Selection”;
“FFAnchor” = “Connect”;
“FFBlade” = “Blade”;
“FFTrim” = “Trim”;
“FFCrop” = “Crop”;
“FFDistort” = “Distort”;
“FFRetime” = “Retime”;
“FFBlade All” = “Blade All”;
“FFHand” = “Hand”;
“FFZoom” = “Zoom”;
“FFRectangle” = “Rectangle”;
“FFEllipse” = “Ellipse”;
“FFBezier” = “Bezier”;
“FFXSpline” = “B-Spline”;
“FFRectangleMask” = “Rectangular Mask”;
“FFEllipseMask” = “Elliptical Mask”;
“FFBezierMask” = “Bezier Mask”;
“FFXSplineMask” = “B-Spline Mask”;
“FFPivot” = “Connection point”;
“FFPlacement” = “Position”;
“FFTransform” = “Transform”;
“FFTransform2D” = “Transform 2D”;
“FFTransform3D” = “Transform 3D”;
“FFAnimationPath” = “Animation Path”;
“FFMotionPath” = “Motion Path”;
“FFKenBurns” = “Ken Burns”;
“FFText” = “Text”;
“FFNone” = “None”;
“FFTakeSnapshot” = “Take Snapshot”;

3.It seems that the way timelines work in version 10.0 wasn’t always the plan. Here’s a different icon (from Final Cut Pro / Contents / Resources / Sequence.icns) for timelines:
将来可能会增加轨道和故事线的切换模式

4.Maybe there’ll be a way of viewing audio as numbered channels:

“NumberedAudioChannel” = “NumberedAudioChannel”;

年底即将发布的多轨道音频编辑功能

5.多用户编辑权限

6.多格式，多编码的编辑媒体类型

Here is the contents of a file named “MediaAndSubTypes.strings”:

// Media Type
“vide” = “Video”;
“soun” = “Sound”;
“muxx” = “Muxed”;
“text” = “Text”;
“clcp” = “Closed Caption”;
“sbtl” = “Subtitle”;
“tmcd” = “Timecode”;
“tmet” = “Timed Metadata”;
“strm” = “Streaming”;
“twen” = “Tween”;
“sprt” = “Sprite”;
“sdsm” = “MPEG-4 SDSM”;
“odsm” = “MPEG-4 ODSM”;
“skin” = “Skin”;
“qtz ” = “Quartz Composer”;

// QuickTime VR
“qtvr” = “QuickTime VR”;
“pano” = “VR Panorama”;
“obje” = “QTVR Object”;

// Video Codecs
“videavc1″ = “H.264″;
“videjpeg” = “Photo – JPEG”;
“videSVQ1″ = “Sorenson Video”;
“videSVQ3″ = “Sorenson Video 3″;
“videcvid” = “Cinepak”;
“viderpza” = “Video”;
“viderle ” = “Animation”;
“videJvt3″ = “Apple H.264/AVC Video (Preview)”;
“videh263″ = “H.263″;
“vides263″ = “H.263″;
“videh261″ = “H.261″;
“videIV41″ = “Intel Indeo™ Video 4.3″;
“videmp4v” = “MPEG-4 Video”;
“videmjp2″ = “JPEG 2000″;
“videmjpa” = “Motion JPEG A”;
“videmjpb” = “Motion JPEG B”;
“videavr ” = “Motion JPEG AVR”;
“videdmb1″ = “Motion JPEG OpenDML”;
“videgif ” = “GIF”;
“videblur” = “Convolution Filter”;
“vide8BPS” = “Planar RGB”;
“videtrav” = “Traveling Matte”;
“videsmc ” = “Graphics”;
“videpng ” = “PNG”;
“videtint” = “Color Balance Filter”;
“videEIDI” = “EIDI”;
“videIV50″ = “Indeo™ video 5.1″;
“videtiff” = “TIFF”;
“videVP31″ = “On2 VP3 Video 3.2″;
“videzygo” = “ZyGoVideo”;
“videACTL” = “Streambox ACT-L2″;
“videmplo” = “Implode”;
“vide2vuy” = “Component Y’CbCr 8-bit 4:2:2 ordered Cb Y’0 Cr Y’1″;
“videyuvs” = “Component Y’CbCr 8-bit 4:2:2 ordered Y’0 Cb Y’1 Cr”;
“videv308″ = “Component Y’CbCr 8-bit 4:4:4″;
“videv408″ = “Component Y’CbCrA 8-bit 4:4:4:4 ordered Cb Y’ Cr A”;
“vider408″ = “Component Y’CbCrA 8-bit 4:4:4:4 ordered A Y’ Cb Cr”;
“videv216″ = “Component Y’CbCr 10,12,14,16-bit 4:2:2″;
“videv210″ = “Component Y’CbCr 10-bit 4:2:2″;
“videv410″ = “Component Y’CbCr 10-bit 4:4:4″;
“videy420″ = “Three-Plane Component Y’CbCr 8-bit 4:2:0″;
“videa2vy” = “Two-Plane Component Y’CbCr,A 8-bit 4:2:2,4″;
“videap4h” = “Apple ProRes 4444″;
“videapch” = “Apple ProRes 422 (HQ)”;
“videapcn” = “Apple ProRes 422″;
“videapcs” = “Apple ProRes 422 (LT)”;
“videapco” = “Apple ProRes 422 (Proxy)”;
“videbhiv” = “bhiv”;
“videclou” = “Cloud”;
“videfire” = “Fire”;
“videdrmi” = “AVC0 Media”;
“videdslv” = “Cross Fade”;
“videdvc ” = “DV/DVCPRO – NTSC”;
“videdvcp” = “DVC – PAL”;
“videdvpp” = “DVCPRO – PAL”;
“videdv5n” = “DVCPRO50 – NTSC”;
“videdv5p” = “DVCPRO50 – PAL”;
“videdvhp” = “DVCPRO HD (720p60)”;
“videdvhq” = “DVCPRO HD (720p50)”;
“videdvh6″ = “DVCPRO HD (1080i60)”;
“videdvh5″ = “DVCPRO HD (1080i50)”;
“videdvh3″ = “DVCPRO HD (1080p30)”;
“videdvh2″ = “DVCPRO HD (1080p25)”;
“videembs” = “Convolution Filter”;
“videfmns” = “Film Noise Filter”;
“videgenk” = “Convolution Filter”;
“videkpcd” = “Photo CD”;
“vidematt” = “Gradient Wipe”;
“videmp2v” = “MPEG-2 Video”;
“videmp1v” = “MPEG-1 Video”;
“videpush” = “Push”;
“videpxlt” = “Apple Pixlet Video”;
“videicod” = “Apple Intermediate Codec”;
“videshrp” = “Convolution Filter”;
“videslid” = “Push”;
“videsmpt” = “Wipe”;
“videsolr” = “Color Balance Filter”;
“videxplo” = “Implode”;
“vide1″ = “Uncompressed 1-bit Indexed Color”;
“vide2″ = “Uncompressed 2-bit Indexed Color”;
“vide4″ = “Uncompressed 4-bit Indexed Color”;
“vide8″ = “Uncompressed 8-bit Indexed Color”;
“vide33″ = “Uncompressed 1-bit Grayscale”;
“vide34″ = “Uncompressed 2-bit Grayscale”;
“vide36″ = “Uncompressed 4-bit Grayscale”;
“vide40″ = “Uncompressed 8-bit Grayscale”;
“vide32″ = “Uncompressed 32-bit ARGB”;
“vide24″ = “Uncompressed 24-bit RGB”;
“vide16″ = “Uncompressed 16-bit RGB 555 (Big Endian)”;
“vide24BG” = “Uncompressed 24-bit BGR”;
“videBGRA” = “Uncompressed 32-bit BGRA”;
“videABGR” = “Uncompressed 32-bit ABGR”;
“videRGBA” = “Uncompressed 32-bit RGBA”;
“videB565″ = “Uncompressed 16-bit RGB 565 (Big Endian)”;
“videL555″ = “Uncompressed 16-bit RGB 555 (Little Endian)”;
“videL565″ = “Uncompressed 16-bit RGB 565 (Little Endian)”;
“vide5551″ = “Uncompressed 16-bit RGB 5551 (Little Endian)”;
“videb64a” = “Uncompressed 64-bit ARGB”;
“videb48r” = “Uncompressed 48-bit RGB”;
“videb32a” = “Uncompressed 32-bit AlphaGray”;
“videb16g” = “Uncompressed 16-bit Grayscale”;

// Audio Codecs
“sounpaac” = “AAC (protected)”;
“sounvdva” = “DV”;

// Other Codecs
“texttext” = “Text”;
“qtvrqtvr” = “QuickTime VR”;
“tmcdtmcd” = “Timecode”;
“clcpc608″ = “Closed Caption”;
“clcpc708″ = “Closed Caption (708)”;
“texttx3g” = “Text”;
“sbtldrmt” = “Subtitle”;
“sbtltx3g” = “Subtitle”;
“hintrtp ” = “Hint”;
“sdsmmp4s” = “MPEG-4 SDSM”;
“odsmmp4s” = “MPEG-4 ODSM”;
“musimusi” = “Music”;
“skinskcr” = “Skin”;
“skinskdr” = “Skin”;
“strmrtsp” = “Streaming”;
“qtz qtz ” = “Quartz Composer”;

但不一定这些编码都会出现，当然其中一些将来会成为编辑视频的编码格式！

文章出自finalcolor.net，转载请注明，谢谢！

调色中解决曝光问题指导

Posted on 09/12/2012 by FinalColor视频工作室 in color, color correction, color grading, Davinci Resolve, 制作常识, 功能分析, 影视技艺文章, 苹果系统 | 已关闭评论

如果发现在图像主题有曝光的情况，作为调色师解决曝光的方法，除了很直白的去调整highlight/Gain。另外一种方法，我们可以把曝光区独立出来，朝着主题色彩的方向去进行图像的调整。

文章出自finalcolor.net，转载请注明，谢谢！

aja发布T-TAP(其他设备)转接盒来进行广播级别的监看和输出

Posted on 09/08/2012 by FinalColor视频工作室 in 5D Mark II, aja, Edit, final cut pro, final cut pro x, Thunderbolt, 功能分析, 工作流程（workflow）, 影视技艺文章, 苹果系统 | 已关闭评论

先看一下工作流程布局：（点击图片看大图）

直接通过雷电端口到T-TAP工具，有sdi和HDMI输出端口进行监看功能

1、支持10-bit, SD, HD and 2K 的输出

2、3D的视频输出支持

3、支持multi-channel 回放，例如 5.1 – or even 7.1 mixes.

视频展示：

文章出自finalcolor.net，转载请注明，谢谢！

Nuke 7合成软件发布(视频)

Posted on 09/07/2012 by FinalColor视频工作室 in Apple - OS X Lion, Mac OS X, nuke, 功能分析, 工作流程（workflow）, 影视技艺文章 | 已关闭评论

官方发布的演示视频：

文章出自finalcolor.net，转载请注明，谢谢！

Blackmagic Design 宣布为自己的数字电影摄像机发布4K 采集产品和镜头

Posted on 09/07/2012 by FinalColor视频工作室 in color, color correction, color grading, Davinci Resolve, final cut pro x, Works, 功能分析, 影视技艺文章, 苹果系统 | 已关闭评论

Blackmagic Design 宣布为自己的数字电影摄像机发布4K 采集产品和镜头

UltraStudio 4K features full resolution 4K support, dual stream 3D capture/playback, 10bit hardware architecture, dual link 3 Gb/s SDI, support for up to 1080p60 in SDI, component analog and HDMI connections which support full SD, HD, and 4K.

“UltraStudio 4K is the best way to get high resolution 4K, advanced 3D and 4:4:4 capture and playback, in a professional rack based design that everyone can afford.”

We think this an amazing piece of kit for the price, maybe the only thing lacking is a Thunderbolt pass through which means it will have to be and end of chain device.

UltraStudio 4K Key Features

Dual Link 3G SDI (3 Gb/s SDI) connections, supports SD, HD up to 1080p60, 2K and 4K.
SDI inputs include full SDI re-clocking for capture from poor quality SDI sources.
HDMI in and out, supports SD and HD formats up to 1080p60, frame packing 3D and 4K.
Component analog in and out.
Component analog switches to s-video and composite.
2 channel balanced analog audio in and out. Additional RCA HiFi audio in.
2 channel AES/EBU unbalanced audio in and out.
Timecode in and out on XLR connectors
Genlock/tri-sync input.
Sony™ compatible RS-422 deck control.
Supports uncompressed 810 bit and compressed video capture and playback.
Supports 4K playback using new Dual Link 3 Gb/s SDI connections and HDMI.
Capture/playback of side by side, line by line, top and bottom and frame packing 3D via HDMI.
Capture/playback of side by side, line by line, top and bottom and dual stream 3D via SDI.
Includes hardware up down and cross conversion on playback.
Includes hardware SD and HD keying.
Compatible with Mac OS X computers with Thunderbolt™.
Supports Final Cut Pro X , Adobe® Premiere® Pro CS6, Adobe® Photoshop® CS6, Adobe ® After Effects® CS6 , DaVinci Resolve 9 and more.
Includes free developer SDK.
Includes free DaVinci Resolve Lite and Media Express capture and playback software.