首先感谢Alex Gollner的对比测试,alex在测试过程使用的是同样的素材和同样的参数,
final cut pro x 10.0.6从渲染和导出的指标都远超过premiere pro cs6的218%。速度是pr cs6的3倍。将更加提高我们的工作效率和提供更多创意的时间。
图片截图(点击看大图):
测试视频如下:
文章源自finalcolor.net,转载请注明出处,谢谢!
fcpx更新内容10.0.6
• 多声道支持
• 基础摄像机的标准输入设置
• 重新设计输出界面和范围导出功能
• 支持redone数据编辑和转码功能prores
• mxf文件de支持
• 双显模式显示示波器和匹配颜色
• 添加dvd章节标记
• 范围选择内容进行复合片段的制作
• 有选择的进行效果的复制
• 更加灵活的片段连接功能
• 通过按键来在时间线上添加静帧制作
• 关于阴影控制,提供了更多的参数屏幕控制功能
• 多片段编辑,提供了新的控制整合功能
• 在时间线上整合片段,自动保存在事件中,以便用于另一个工程的再次使用
• XML 1.2 支持第三方输入和舒服的丰富数据支持
• 更快prores导出
final cut pro x 10.0.6软件下载地址(试用版本!):
http://www.apple.com/finalcutpro/final cut pro 10.0.6.dmg
下载地址:
http://appldnld.apple.com/Final_Cut_Pro_X/041-8592.20121105.sS3ed/FinalCutProTrial10.0.6.dmg
文章来自finalcolor.net,转载请著名出处,谢谢!
ASSIMILATE SCRATCH是最全面的数字电影成像和工作流程的数码后期制作工作流程工具。专为满足独立纪录片导演独特的DI工作流程挑战,以及精品后期制作,划伤汇集播放,符合编辑,调色配光,字幕,合成,并整理成一个单一的,一致的界面,最大限度地提高创造力和生产力。
配光
实时2K和4K初级教色,完全10 bit log配光是SCRATCH的主要功能之一,实时电影质量增强工作能力的精确度,提供非常好的最终表现结果,一旦完成,与渲染结果相当,用户能够越过时间线直接得到电影的项目预览。
完全的颜色校正工具允许Gamma调整、lift、增益、偏移、色调、饱和度和亮度,这些工具能够在全画面或者在定义区域交叉应用,自动校正功能允许逆回先前的定义值。
LUT和色彩管理
支持1D和3D LUTs,3D LUTs支持128x128x128非线Color Cube。
SCRATCH同样支持下列色彩管理产品:
——KODAK:KODAK Display Manager System
——IMAGICA:GALETTE Color Managment System
——Pandora:Pogle Color Correction Systems (LUT formats a3d、m3d)
视觉特效
后期处理能够非常容易将特效应用与镜头和编辑过程,甚至在实时回放的时候。SCRATCH特效包括从镜头片断重定格式、比例缩放、重定画幅尺寸、输出格式、裁切和blanking,控制可以自定义特效库。SCRATCH同样提供画笔和压感能力。
Scratch 7新功能视频介绍:
文章出自finalcolor.net,转载请注明出处,谢谢。
视频介绍:
文章出自finalcolor.net,转载请注明来源,谢谢!
Amsterdam_supermeet_2012 这次大会,介绍了avid ,baselight,Smoke 2013,REDONE,Davinci Resolve 9和blackmagic cinema camera,Adobe Premiere cs6,当然还有大家能经常接触到的red giant软件应用,以下视频只提供给内部学员学习!
amsterdam_supermeet_2012_-_davinci resolve 9视频:
Amsterdam Supermeet 2012 – demo AVID and Baselight视频:
Amsterdam Supermeet 2012 – Demo of Smoke 2013 on Vimeo视频:
Amsterdam Supermeet 2012 – Michael Cioni – Evolution or Extinction视频:
amsterdam_supermeet_2012_-premiere cs6视频:
amsterdam_supermeet_2012_-red giant视频:
以上所有内容来自finalcolor.net,转载请注明来源,谢谢!
首先感谢alex发布这些fcpx的未开启的功能
依次进行介绍
1.The Final Cut Pro / Contents / Frameworks / Flexo.framework / Versions / A / Resources / en.lproj / FFColorCubeScopeModule.nib file 可能支持3d 立体色彩监测仪 – 象在 Apple Color 中的视波仪一样
2.from Final Cut Pro / Contents / Frameworks / Flexo.framework / Versions / A / Resources / en.lproj / FFLocalizable.strings:
不是所有的工具都激活了.
/* Tool names */
“FFSelect” = “Select”;
“FFRangeSelection” = “Range Selection”;
“FFAnchor” = “Connect”;
“FFBlade” = “Blade”;
“FFTrim” = “Trim”;
“FFCrop” = “Crop”;
“FFDistort” = “Distort”;
“FFRetime” = “Retime”;
“FFBlade All” = “Blade All”;
“FFHand” = “Hand”;
“FFZoom” = “Zoom”;
“FFRectangle” = “Rectangle”;
“FFEllipse” = “Ellipse”;
“FFBezier” = “Bezier”;
“FFXSpline” = “B-Spline”;
“FFRectangleMask” = “Rectangular Mask”;
“FFEllipseMask” = “Elliptical Mask”;
“FFBezierMask” = “Bezier Mask”;
“FFXSplineMask” = “B-Spline Mask”;
“FFPivot” = “Connection point”;
“FFPlacement” = “Position”;
“FFTransform” = “Transform”;
“FFTransform2D” = “Transform 2D”;
“FFTransform3D” = “Transform 3D”;
“FFAnimationPath” = “Animation Path”;
“FFMotionPath” = “Motion Path”;
“FFKenBurns” = “Ken Burns”;
“FFText” = “Text”;
“FFNone” = “None”;
“FFTakeSnapshot” = “Take Snapshot”;
3.It seems that the way timelines work in version 10.0 wasn’t always the plan. Here’s a different icon (from Final Cut Pro / Contents / Resources / Sequence.icns) for timelines:
将来可能会增加轨道和故事线的切换模式
4.Maybe there’ll be a way of viewing audio as numbered channels:
“NumberedAudioChannel” = “NumberedAudioChannel”;
年底即将发布的多轨道音频编辑功能
5.多用户编辑权限
6.多格式,多编码的编辑媒体类型
Here is the contents of a file named “MediaAndSubTypes.strings”:
// Media Type
“vide” = “Video”;
“soun” = “Sound”;
“muxx” = “Muxed”;
“text” = “Text”;
“clcp” = “Closed Caption”;
“sbtl” = “Subtitle”;
“tmcd” = “Timecode”;
“tmet” = “Timed Metadata”;
“strm” = “Streaming”;
“twen” = “Tween”;
“sprt” = “Sprite”;
“sdsm” = “MPEG-4 SDSM”;
“odsm” = “MPEG-4 ODSM”;
“skin” = “Skin”;
“qtz ” = “Quartz Composer”;
// QuickTime VR
“qtvr” = “QuickTime VR”;
“pano” = “VR Panorama”;
“obje” = “QTVR Object”;
// Video Codecs
“videavc1″ = “H.264″;
“videjpeg” = “Photo – JPEG”;
“videSVQ1″ = “Sorenson Video”;
“videSVQ3″ = “Sorenson Video 3″;
“videcvid” = “Cinepak”;
“viderpza” = “Video”;
“viderle ” = “Animation”;
“videJvt3″ = “Apple H.264/AVC Video (Preview)”;
“videh263″ = “H.263″;
“vides263″ = “H.263″;
“videh261″ = “H.261″;
“videIV41″ = “Intel Indeo™ Video 4.3″;
“videmp4v” = “MPEG-4 Video”;
“videmjp2″ = “JPEG 2000″;
“videmjpa” = “Motion JPEG A”;
“videmjpb” = “Motion JPEG B”;
“videavr ” = “Motion JPEG AVR”;
“videdmb1″ = “Motion JPEG OpenDML”;
“videgif ” = “GIF”;
“videblur” = “Convolution Filter”;
“vide8BPS” = “Planar RGB”;
“videtrav” = “Traveling Matte”;
“videsmc ” = “Graphics”;
“videpng ” = “PNG”;
“videtint” = “Color Balance Filter”;
“videEIDI” = “EIDI”;
“videIV50″ = “Indeo™ video 5.1″;
“videtiff” = “TIFF”;
“videVP31″ = “On2 VP3 Video 3.2″;
“videzygo” = “ZyGoVideo”;
“videACTL” = “Streambox ACT-L2″;
“videmplo” = “Implode”;
“vide2vuy” = “Component Y’CbCr 8-bit 4:2:2 ordered Cb Y’0 Cr Y’1″;
“videyuvs” = “Component Y’CbCr 8-bit 4:2:2 ordered Y’0 Cb Y’1 Cr”;
“videv308″ = “Component Y’CbCr 8-bit 4:4:4″;
“videv408″ = “Component Y’CbCrA 8-bit 4:4:4:4 ordered Cb Y’ Cr A”;
“vider408″ = “Component Y’CbCrA 8-bit 4:4:4:4 ordered A Y’ Cb Cr”;
“videv216″ = “Component Y’CbCr 10,12,14,16-bit 4:2:2″;
“videv210″ = “Component Y’CbCr 10-bit 4:2:2″;
“videv410″ = “Component Y’CbCr 10-bit 4:4:4″;
“videy420″ = “Three-Plane Component Y’CbCr 8-bit 4:2:0″;
“videa2vy” = “Two-Plane Component Y’CbCr,A 8-bit 4:2:2,4″;
“videap4h” = “Apple ProRes 4444″;
“videapch” = “Apple ProRes 422 (HQ)”;
“videapcn” = “Apple ProRes 422″;
“videapcs” = “Apple ProRes 422 (LT)”;
“videapco” = “Apple ProRes 422 (Proxy)”;
“videbhiv” = “bhiv”;
“videclou” = “Cloud”;
“videfire” = “Fire”;
“videdrmi” = “AVC0 Media”;
“videdslv” = “Cross Fade”;
“videdvc ” = “DV/DVCPRO – NTSC”;
“videdvcp” = “DVC – PAL”;
“videdvpp” = “DVCPRO – PAL”;
“videdv5n” = “DVCPRO50 – NTSC”;
“videdv5p” = “DVCPRO50 – PAL”;
“videdvhp” = “DVCPRO HD (720p60)”;
“videdvhq” = “DVCPRO HD (720p50)”;
“videdvh6″ = “DVCPRO HD (1080i60)”;
“videdvh5″ = “DVCPRO HD (1080i50)”;
“videdvh3″ = “DVCPRO HD (1080p30)”;
“videdvh2″ = “DVCPRO HD (1080p25)”;
“videembs” = “Convolution Filter”;
“videfmns” = “Film Noise Filter”;
“videgenk” = “Convolution Filter”;
“videkpcd” = “Photo CD”;
“vidematt” = “Gradient Wipe”;
“videmp2v” = “MPEG-2 Video”;
“videmp1v” = “MPEG-1 Video”;
“videpush” = “Push”;
“videpxlt” = “Apple Pixlet Video”;
“videicod” = “Apple Intermediate Codec”;
“videshrp” = “Convolution Filter”;
“videslid” = “Push”;
“videsmpt” = “Wipe”;
“videsolr” = “Color Balance Filter”;
“videxplo” = “Implode”;
“vide1″ = “Uncompressed 1-bit Indexed Color”;
“vide2″ = “Uncompressed 2-bit Indexed Color”;
“vide4″ = “Uncompressed 4-bit Indexed Color”;
“vide8″ = “Uncompressed 8-bit Indexed Color”;
“vide33″ = “Uncompressed 1-bit Grayscale”;
“vide34″ = “Uncompressed 2-bit Grayscale”;
“vide36″ = “Uncompressed 4-bit Grayscale”;
“vide40″ = “Uncompressed 8-bit Grayscale”;
“vide32″ = “Uncompressed 32-bit ARGB”;
“vide24″ = “Uncompressed 24-bit RGB”;
“vide16″ = “Uncompressed 16-bit RGB 555 (Big Endian)”;
“vide24BG” = “Uncompressed 24-bit BGR”;
“videBGRA” = “Uncompressed 32-bit BGRA”;
“videABGR” = “Uncompressed 32-bit ABGR”;
“videRGBA” = “Uncompressed 32-bit RGBA”;
“videB565″ = “Uncompressed 16-bit RGB 565 (Big Endian)”;
“videL555″ = “Uncompressed 16-bit RGB 555 (Little Endian)”;
“videL565″ = “Uncompressed 16-bit RGB 565 (Little Endian)”;
“vide5551″ = “Uncompressed 16-bit RGB 5551 (Little Endian)”;
“videb64a” = “Uncompressed 64-bit ARGB”;
“videb48r” = “Uncompressed 48-bit RGB”;
“videb32a” = “Uncompressed 32-bit AlphaGray”;
“videb16g” = “Uncompressed 16-bit Grayscale”;
// Audio Codecs
“sounpaac” = “AAC (protected)”;
“sounvdva” = “DV”;
// Other Codecs
“texttext” = “Text”;
“qtvrqtvr” = “QuickTime VR”;
“tmcdtmcd” = “Timecode”;
“clcpc608″ = “Closed Caption”;
“clcpc708″ = “Closed Caption (708)”;
“texttx3g” = “Text”;
“sbtldrmt” = “Subtitle”;
“sbtltx3g” = “Subtitle”;
“hintrtp ” = “Hint”;
“sdsmmp4s” = “MPEG-4 SDSM”;
“odsmmp4s” = “MPEG-4 ODSM”;
“musimusi” = “Music”;
“skinskcr” = “Skin”;
“skinskdr” = “Skin”;
“strmrtsp” = “Streaming”;
“qtz qtz ” = “Quartz Composer”;
但不一定这些编码都会出现,当然其中一些将来会成为编辑视频的编码格式!
文章出自finalcolor.net,转载请注明,谢谢!
当年这本final cut pro高级秘笈销量甚好,里面包含了final cut pro 7的好多秘笈功能,让你在使用final cut pro 7创作的时候,能省下不少的时间花在你的创意上!
1.官方网站下载地址:
http://www.digital-heaven.co.uk/killersecrets
2.进入网站后,点击”download”下载标志
3.然后填入你的email地址,点击submit提交后,电子书就会发到你邮箱当中。
文章出自finalcolor.net,转载请注明,谢谢
Stereo3D Toolbox Version 4不止运行在final cut pro x上,同时还兼容Final Cut Pro 6, 7 and X, Motion 3, 4 and 5, After Effects CS3, CS4, CS5, CS5.5 and CS6.