final cut pro

final cut pro x 10.0.6和premiere pro cs6各项性能对比测试

首先感谢Alex Gollner的对比测试,alex在测试过程使用的是同样的素材和同样的参数,

final cut pro x 10.0.6从渲染和导出的指标都远超过premiere pro cs6的218%。速度是pr cs6的3倍。将更加提高我们的工作效率和提供更多创意的时间。

图片截图(点击看大图):

fcpx1006 vs pprocs6

测试视频如下:

文章源自finalcolor.net,转载请注明出处,谢谢!

final cut pro x 10.0.6功能直播介绍(更新中)

1.强大的导入功能,视频,图片声音都能导入,iphone,nokia 808,redone ,canon 5d/7d/5d III,都没问题,传输速度之快,功能优秀!

import

2.final cut pro x支持4k,5k视频编辑功能

project

3.渲染速度提升到原来的3200%,提供了prores 4444,prores 422hq, prores 422 ,prores 422 LT多种渲染方案

render prores

文章来自finalcolor.net,转载请著名出处,谢谢!

REDONE工作流程回归苹果影视剪辑软件final cut pro x

自从final cut pro x 10.0.6后,redone官方网站放出针对final cut pro x的工作流程和转码插件,以便于支持final cut pro x和redone数据的工作流程,当然你也可以选择直接剪辑redone的源数据文件!

Screen Shot 2012 10 24 at 上午11 22 32

Screen Shot 2012 10 24 at 上午11 23 27

redone官方工作流程视频:

文章来自finalcolor.net,转载请著名出处,谢谢!

final cut pro x 10.0.6更新,功能强大另人震惊(官方第一手发布!)

fcpx更新内容10.0.6
• 多声道支持
• 基础摄像机的标准输入设置
• 重新设计输出界面和范围导出功能
• 支持redone数据编辑和转码功能prores
• mxf文件de支持
• 双显模式显示示波器和匹配颜色
• 添加dvd章节标记
• 范围选择内容进行复合片段的制作
• 有选择的进行效果的复制
• 更加灵活的片段连接功能
• 通过按键来在时间线上添加静帧制作
• 关于阴影控制,提供了更多的参数屏幕控制功能
• 多片段编辑,提供了新的控制整合功能
• 在时间线上整合片段,自动保存在事件中,以便用于另一个工程的再次使用
• XML 1.2 支持第三方输入和舒服的丰富数据支持
• 更快prores导出

share

import

red camera

multichannel

dual viewers

final cut pro x 10.0.6软件下载地址(试用版本!):

http://www.apple.com/finalcutpro/final cut pro 10.0.6.dmg

下载地址:

http://appldnld.apple.com/Final_Cut_Pro_X/041-8592.20121105.sS3ed/FinalCutProTrial10.0.6.dmg

文章来自finalcolor.net,转载请著名出处,谢谢!

ASSIMILATE SCRATCH 7新功能

ASSIMILATE SCRATCH是最全面的数字电影成像和工作流程的数码后期制作工作流程工具。专为满足独立纪录片导演独特的DI工作流程挑战,以及精品后期制作,划伤汇集播放,符合编辑,调色配光,字幕,合成,并整理成一个单一的,一致的界面,最大限度地提高创造力和生产力。

配光
实时2K和4K初级教色,完全10 bit log配光是SCRATCH的主要功能之一,实时电影质量增强工作能力的精确度,提供非常好的最终表现结果,一旦完成,与渲染结果相当,用户能够越过时间线直接得到电影的项目预览。
完全的颜色校正工具允许Gamma调整、lift、增益、偏移、色调、饱和度和亮度,这些工具能够在全画面或者在定义区域交叉应用,自动校正功能允许逆回先前的定义值。

LUT和色彩管理
支持1D和3D LUTs,3D LUTs支持128x128x128非线Color Cube。
SCRATCH同样支持下列色彩管理产品:
——KODAK:KODAK Display Manager System
——IMAGICA:GALETTE Color Managment System
——Pandora:Pogle Color Correction Systems (LUT formats a3d、m3d)

视觉特效
后期处理能够非常容易将特效应用与镜头和编辑过程,甚至在实时回放的时候。SCRATCH特效包括从镜头片断重定格式、比例缩放、重定画幅尺寸、输出格式、裁切和blanking,控制可以自定义特效库。SCRATCH同样提供画笔和压感能力。

Scratch 7新功能视频介绍:

文章出自finalcolor.net,转载请注明出处,谢谢。

视频直播技术和现场视频

视频介绍:

文章出自finalcolor.net,转载请注明来源,谢谢!

摄像机的变革-blackmagic cinema camera和5d iii拍摄画面品质的比较

comparing_the_cinema_camera_&_5d_mk_iii,新生的blackmagic cinema camera摄像机和5d iii摄像机拍摄对比,曾经摄影师疯狂追崇的单反时代看来要被超越了。blackmagic cinema camera 追求高画质的细腻。关注http://www.finalcolor.net了解更多的影视制作行业动态变化.建议用户切换到”原画”画质观看对比!

建议用户一定要点击图片看大尺寸的画面对比,注重细节的体现!(点击图片看大图!)

compare 1

compare 2

各项指标对比视频:

以上所有内容来自finalcolor.net,转载请注明来源,谢谢!

Amsterdam_supermeet_2012高端影视会议(更新中)

Amsterdam_supermeet_2012 这次大会,介绍了avid ,baselight,Smoke 2013,REDONE,Davinci Resolve 9和blackmagic cinema camera,Adobe Premiere cs6,当然还有大家能经常接触到的red giant软件应用,以下视频只提供给内部学员学习!

amsterdam_supermeet_2012_-_davinci resolve 9视频:

Amsterdam Supermeet 2012 – demo AVID and Baselight视频:

Amsterdam Supermeet 2012 – Demo of Smoke 2013 on Vimeo视频:

Amsterdam Supermeet 2012 – Michael Cioni – Evolution or Extinction视频:

amsterdam_supermeet_2012_-premiere cs6视频:

amsterdam_supermeet_2012_-red giant视频:

以上所有内容来自finalcolor.net,转载请注明来源,谢谢!

Final Cut Pro X 未开启的功能和秘密

首先感谢alex发布这些fcpx的未开启的功能

依次进行介绍

1.The Final Cut Pro / Contents / Frameworks / Flexo.framework / Versions / A / Resources / en.lproj / FFColorCubeScopeModule.nib file 可能支持3d 立体色彩监测仪 – 象在 Apple Color 中的视波仪一样

colorcube(点击图片放大)

2.from Final Cut Pro / Contents / Frameworks / Flexo.framework / Versions / A / Resources / en.lproj / FFLocalizable.strings:

不是所有的工具都激活了.

/* Tool names */
“FFSelect” = “Select”;
“FFRangeSelection” = “Range Selection”;
“FFAnchor” = “Connect”;
“FFBlade” = “Blade”;
“FFTrim” = “Trim”;
“FFCrop” = “Crop”;
“FFDistort” = “Distort”;
“FFRetime” = “Retime”;
“FFBlade All” = “Blade All”;
“FFHand” = “Hand”;
“FFZoom” = “Zoom”;
“FFRectangle” = “Rectangle”;
“FFEllipse” = “Ellipse”;
“FFBezier” = “Bezier”;
“FFXSpline” = “B-Spline”;
“FFRectangleMask” = “Rectangular Mask”;
“FFEllipseMask” = “Elliptical Mask”;
“FFBezierMask” = “Bezier Mask”;
“FFXSplineMask” = “B-Spline Mask”;
“FFPivot” = “Connection point”;
“FFPlacement” = “Position”;
“FFTransform” = “Transform”;
“FFTransform2D” = “Transform 2D”;
“FFTransform3D” = “Transform 3D”;
“FFAnimationPath” = “Animation Path”;
“FFMotionPath” = “Motion Path”;
“FFKenBurns” = “Ken Burns”;
“FFText” = “Text”;
“FFNone” = “None”;
“FFTakeSnapshot” = “Take Snapshot”;

3.It seems that the way timelines work in version 10.0 wasn’t always the plan. Here’s a different icon (from Final Cut Pro / Contents / Resources / Sequence.icns) for timelines:
将来可能会增加轨道和故事线的切换模式

timeline

4.Maybe there’ll be a way of viewing audio as numbered channels:

“NumberedAudioChannel” = “NumberedAudioChannel”;

年底即将发布的多轨道音频编辑功能

5.多用户编辑权限

end user

6.多格式,多编码的编辑媒体类型

Here is the contents of a file named “MediaAndSubTypes.strings”:

// Media Type
“vide” = “Video”;
“soun” = “Sound”;
“muxx” = “Muxed”;
“text” = “Text”;
“clcp” = “Closed Caption”;
“sbtl” = “Subtitle”;
“tmcd” = “Timecode”;
“tmet” = “Timed Metadata”;
“strm” = “Streaming”;
“twen” = “Tween”;
“sprt” = “Sprite”;
“sdsm” = “MPEG-4 SDSM”;
“odsm” = “MPEG-4 ODSM”;
“skin” = “Skin”;
“qtz ” = “Quartz Composer”;

// QuickTime VR
“qtvr” = “QuickTime VR”;
“pano” = “VR Panorama”;
“obje” = “QTVR Object”;

// Video Codecs
“videavc1″ = “H.264″;
“videjpeg” = “Photo – JPEG”;
“videSVQ1″ = “Sorenson Video”;
“videSVQ3″ = “Sorenson Video 3″;
“videcvid” = “Cinepak”;
“viderpza” = “Video”;
“viderle ” = “Animation”;
“videJvt3″ = “Apple H.264/AVC Video (Preview)”;
“videh263″ = “H.263″;
“vides263″ = “H.263″;
“videh261″ = “H.261″;
“videIV41″ = “Intel Indeo™ Video 4.3″;
“videmp4v” = “MPEG-4 Video”;
“videmjp2″ = “JPEG 2000″;
“videmjpa” = “Motion JPEG A”;
“videmjpb” = “Motion JPEG B”;
“videavr ” = “Motion JPEG AVR”;
“videdmb1″ = “Motion JPEG OpenDML”;
“videgif ” = “GIF”;
“videblur” = “Convolution Filter”;
“vide8BPS” = “Planar RGB”;
“videtrav” = “Traveling Matte”;
“videsmc ” = “Graphics”;
“videpng ” = “PNG”;
“videtint” = “Color Balance Filter”;
“videEIDI” = “EIDI”;
“videIV50″ = “Indeo™ video 5.1″;
“videtiff” = “TIFF”;
“videVP31″ = “On2 VP3 Video 3.2″;
“videzygo” = “ZyGoVideo”;
“videACTL” = “Streambox ACT-L2″;
“videmplo” = “Implode”;
“vide2vuy” = “Component Y’CbCr 8-bit 4:2:2 ordered Cb Y’0 Cr Y’1″;
“videyuvs” = “Component Y’CbCr 8-bit 4:2:2 ordered Y’0 Cb Y’1 Cr”;
“videv308″ = “Component Y’CbCr 8-bit 4:4:4″;
“videv408″ = “Component Y’CbCrA 8-bit 4:4:4:4 ordered Cb Y’ Cr A”;
“vider408″ = “Component Y’CbCrA 8-bit 4:4:4:4 ordered A Y’ Cb Cr”;
“videv216″ = “Component Y’CbCr 10,12,14,16-bit 4:2:2″;
“videv210″ = “Component Y’CbCr 10-bit 4:2:2″;
“videv410″ = “Component Y’CbCr 10-bit 4:4:4″;
“videy420″ = “Three-Plane Component Y’CbCr 8-bit 4:2:0″;
“videa2vy” = “Two-Plane Component Y’CbCr,A 8-bit 4:2:2,4″;
“videap4h” = “Apple ProRes 4444″;
“videapch” = “Apple ProRes 422 (HQ)”;
“videapcn” = “Apple ProRes 422″;
“videapcs” = “Apple ProRes 422 (LT)”;
“videapco” = “Apple ProRes 422 (Proxy)”;
“videbhiv” = “bhiv”;
“videclou” = “Cloud”;
“videfire” = “Fire”;
“videdrmi” = “AVC0 Media”;
“videdslv” = “Cross Fade”;
“videdvc ” = “DV/DVCPRO – NTSC”;
“videdvcp” = “DVC – PAL”;
“videdvpp” = “DVCPRO – PAL”;
“videdv5n” = “DVCPRO50 – NTSC”;
“videdv5p” = “DVCPRO50 – PAL”;
“videdvhp” = “DVCPRO HD (720p60)”;
“videdvhq” = “DVCPRO HD (720p50)”;
“videdvh6″ = “DVCPRO HD (1080i60)”;
“videdvh5″ = “DVCPRO HD (1080i50)”;
“videdvh3″ = “DVCPRO HD (1080p30)”;
“videdvh2″ = “DVCPRO HD (1080p25)”;
“videembs” = “Convolution Filter”;
“videfmns” = “Film Noise Filter”;
“videgenk” = “Convolution Filter”;
“videkpcd” = “Photo CD”;
“vidematt” = “Gradient Wipe”;
“videmp2v” = “MPEG-2 Video”;
“videmp1v” = “MPEG-1 Video”;
“videpush” = “Push”;
“videpxlt” = “Apple Pixlet Video”;
“videicod” = “Apple Intermediate Codec”;
“videshrp” = “Convolution Filter”;
“videslid” = “Push”;
“videsmpt” = “Wipe”;
“videsolr” = “Color Balance Filter”;
“videxplo” = “Implode”;
“vide1″ = “Uncompressed 1-bit Indexed Color”;
“vide2″ = “Uncompressed 2-bit Indexed Color”;
“vide4″ = “Uncompressed 4-bit Indexed Color”;
“vide8″ = “Uncompressed 8-bit Indexed Color”;
“vide33″ = “Uncompressed 1-bit Grayscale”;
“vide34″ = “Uncompressed 2-bit Grayscale”;
“vide36″ = “Uncompressed 4-bit Grayscale”;
“vide40″ = “Uncompressed 8-bit Grayscale”;
“vide32″ = “Uncompressed 32-bit ARGB”;
“vide24″ = “Uncompressed 24-bit RGB”;
“vide16″ = “Uncompressed 16-bit RGB 555 (Big Endian)”;
“vide24BG” = “Uncompressed 24-bit BGR”;
“videBGRA” = “Uncompressed 32-bit BGRA”;
“videABGR” = “Uncompressed 32-bit ABGR”;
“videRGBA” = “Uncompressed 32-bit RGBA”;
“videB565″ = “Uncompressed 16-bit RGB 565 (Big Endian)”;
“videL555″ = “Uncompressed 16-bit RGB 555 (Little Endian)”;
“videL565″ = “Uncompressed 16-bit RGB 565 (Little Endian)”;
“vide5551″ = “Uncompressed 16-bit RGB 5551 (Little Endian)”;
“videb64a” = “Uncompressed 64-bit ARGB”;
“videb48r” = “Uncompressed 48-bit RGB”;
“videb32a” = “Uncompressed 32-bit AlphaGray”;
“videb16g” = “Uncompressed 16-bit Grayscale”;

// Audio Codecs
“sounpaac” = “AAC (protected)”;
“sounvdva” = “DV”;

// Other Codecs
“texttext” = “Text”;
“qtvrqtvr” = “QuickTime VR”;
“tmcdtmcd” = “Timecode”;
“clcpc608″ = “Closed Caption”;
“clcpc708″ = “Closed Caption (708)”;
“texttx3g” = “Text”;
“sbtldrmt” = “Subtitle”;
“sbtltx3g” = “Subtitle”;
“hintrtp ” = “Hint”;
“sdsmmp4s” = “MPEG-4 SDSM”;
“odsmmp4s” = “MPEG-4 ODSM”;
“musimusi” = “Music”;
“skinskcr” = “Skin”;
“skinskdr” = “Skin”;
“strmrtsp” = “Streaming”;
“qtz qtz ” = “Quartz Composer”;

但不一定这些编码都会出现,当然其中一些将来会成为编辑视频的编码格式!

文章出自finalcolor.net,转载请注明,谢谢!

aja发布T-TAP(其他设备)转接盒来进行广播级别的监看和输出

先看一下工作流程布局:(点击图片看大图)

ALL

直接通过雷电端口到T-TAP工具,有sdi和HDMI输出端口进行监看功能

PRO

ZHENG FAN

1、支持10-bit, SD, HD and 2K 的输出

2、3D的视频输出支持

3、支持multi-channel 回放,例如 5.1 – or even 7.1 mixes.

视频展示:

文章出自finalcolor.net,转载请注明,谢谢!

Final Cut Pro X Transform bug

每次重启final cut pro x,变形才发生变化!删除preferences-final cur预设,对这个项目也不起作用

Transform Bug(点击图片看大图):

FCPX 10 0 5

BUG1

BUG2

文章出自finalcolor.net,转载请注明,谢谢!

CoreMelt发布Lock & Load X for fcpx

lock load x for fcpx

官方发布这个插件指出比fcpx内置的稳定效果更好:

1.更快的分析,分析速度是内建稳定功能的12倍以上

2.更好的分析结果,更强大的rolling shutter减少,更少的晃动,放大和缩放的成果

3.更为强大的跟踪有效区域和为没有跟踪好的片段添加关键帧进行跟踪!

视频介绍:

文章出自finalcolor.net,转载请注明,谢谢!

EDL-X利用fcpXML导出 CMX 3600 EDL剪辑表

EDL-X利用Final Cut pro X导出得xml语言进行转化edl

EDL APP

EDL X

官方网站下载:
http://xmil.biz/EDL-X/EDL-X.shtml

视频介绍演示:

文章出自finalcolor.net,转载请注明,谢谢!

Final Cut Pro Killer Secrets秘笈电子书现可免费下载

killer secret ebook free

当年这本final cut pro高级秘笈销量甚好,里面包含了final cut pro 7的好多秘笈功能,让你在使用final cut pro 7创作的时候,能省下不少的时间花在你的创意上!

1.官方网站下载地址:

http://www.digital-heaven.co.uk/killersecrets

2.进入网站后,点击”download”下载标志

3.然后填入你的email地址,点击submit提交后,电子书就会发到你邮箱当中。

 

文章出自finalcolor.net,转载请注明,谢谢

Final Cut Pro X通过Stereo3D Toolbox Version 4编辑3D视频

Stereo3D Toolbox Version 4不止运行在final cut pro x上,同时还兼容Final Cut Pro 6, 7 and X, Motion 3, 4 and 5, After Effects CS3, CS4, CS5, CS5.5 and CS6.